Phil Kellow cars cocktails culture

Phil Kellow cars cocktails culture Portraiture, Kustom Kulture, Pinup, Classic and Kustom car photography. Instagram.com/cars_cocktails_culture/

Monday Musings.Photographers.Are we shadow boxing?Something I’ve noticed increasingly in photography content — particula...
07/09/2026

Monday Musings.

Photographers.
Are we shadow boxing?

Something I’ve noticed increasingly in photography content — particularly from photography influencers — is an argument that goes something like this:

“People think photographers charge too much.”
“They think all we do is press a button.”
“Clients don’t understand what goes into creating an image.”

It’s usually followed by a passionate defence of our equipment, experience, editing time, creativity and the hours that happen behind the scenes.

And there’s nothing wrong with explaining the value of what we do.

But I started wondering…

Who are we actually arguing with?

I’m sure photographers occasionally hear these comments. But is this really how most clients think? Or have we repeated the story so often within our own industry that we’ve created an opponent to defend ourselves against?

There’s a term for constructing an argument that’s easier to knock down: a strawman. And when we continually fight against it, perhaps we’re just shadow boxing.

More importantly, I wonder what message it sends to the people who actually hire us.

Most of my experience has been with people who value photography enough to trust me with their car, their story, their image or their time. They’re not the enemy. They’re the reason I get to create this stuff in the first place.

Perhaps instead of continually telling people why photography isn’t overpriced, we could simply show them why it has value.

Show the work.
Show the creativity.
Show the experience.
And most importantly, value the people who value what we do.

Just a thought.

Have you genuinely been told, “All you do is press a button”? Or have you mostly heard photographers telling you that people say it?

I’d genuinely be interested to know.

🍒 Lydia Keet 🍒 hitting’ switches on the 6 tre with David Sheppard  #.
07/09/2026

🍒 Lydia Keet 🍒 hitting’ switches on the 6 tre with David Sheppard #.

Available now from all good (and some bad) newsagents. Featuring Lou Lou Fontana.
07/09/2026

Available now from all good (and some bad) newsagents. Featuring Lou Lou Fontana.

A huge thank you to photographer Phil Kellow of Cars – Cocktails – Culture for supplying this edition’s centre poster, featuring the gorgeous Lou Lou Fontana nestled into one seriously slick Mustang!
Check it out in Cruzin #297, on sale now. Grab it at your local, or buy online at https://www.drivebuy.net.au/collections/cruzin-magazine

𝕯𝖆𝖓𝖆 bringing those Chola vibes to Brisbane with David Sheppard ‘s stunning ‘63 Impala lowrider. West Coast USA 🇺🇸 meets...
04/09/2026

𝕯𝖆𝖓𝖆 bringing those Chola vibes to Brisbane with David Sheppard ‘s stunning ‘63 Impala lowrider. West Coast USA 🇺🇸 meets East Coast AUS. 🇦🇺

Ahhh this was such an epic shoot with Sim Lovett  . Shot 4 years ago now, I thought they deserved a complete re-edit fro...
30/08/2026

Ahhh this was such an epic shoot with Sim Lovett . Shot 4 years ago now, I thought they deserved a complete re-edit from the RAW files.

More Cruzin Magazine centrefold goodness and this time it’s brought to you by Sarah Lou . The centrefold shot was part o...
29/08/2026

More Cruzin Magazine centrefold goodness and this time it’s brought to you by Sarah Lou .
The centrefold shot was part of a shoot that we did together for the Harrigans Rod and Custom Show.

Burning Rubber. Sights, sounds, and smells. Sensory overload at the track.
24/08/2026

Burning Rubber.

Sights, sounds, and smells.
Sensory overload at the track.

Starring Ophelia Tomlins Ophelia wasn’t looking for the light.She was only walking through the woods... until she found ...
21/08/2026

Starring Ophelia Tomlins

Ophelia wasn’t looking for the light.

She was only walking through the woods... until she found a lamp burning where no lamp should be.

“Lured by the Lamplight” is the first chapter in a new series I’ve been quietly creating. Chapter One - Ophelia is a Victorian-inspired gothic tale photographed in the Australian bush, where mystery, folklore and cinema collide.

This project is a little different to my usual classic cars and pinups. It’s slower. Stranger. More cinematic. Every frame is part of the story.

If you’ve ever loved old ghost stories, folklore, or films that leave you wondering what really happened... this is for you.

Chapter One is now live on Cars- Cocktails-Culture.com/blog-1 (Link in my bio.)

Some lights are meant to be followed. Others should be feared.

This was such a cool opportunity a few years ago. I was lucky enough to have been invited to capture photos of a selecti...
20/08/2026

This was such a cool opportunity a few years ago. I was lucky enough to have been invited to capture photos of a selection of cars from the Thunderbird Club of Qld. To be in the presence of so many legendary cars was already pretty special but to shoot in location at Hanger 7 in Brisbane was the icing on the cake.
Hanger 7 was built during the 2nd World War and was a secret location where downed Japanese fighter planes were rebuilt and tested. The history of the cars and the location was palpable.

My first shoot with Ophelia Tomlins and I really enjoyed working on this woodland Gothic/ Victoriana series with her. Th...
20/08/2026

My first shoot with Ophelia Tomlins and I really enjoyed working on this woodland Gothic/ Victoriana series with her. The vision and energy she brings is contagious.
With thanks to Jools Kellow for acting as our excellent lighting assistant.

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