Brody Grogan Photography

Brody Grogan Photography Photography inspired by people and their stories across Australia and the World

“The war defined my childhood. Two relatives were lost in World War I, and my father’s sister, his brother-in-law and fi...
24/04/2026

“The war defined my childhood. Two relatives were lost in World War I, and my father’s sister, his brother-in-law and five of my mother’s nephews served for the duration of World War II. I still remember the quiet anguish that lingered in the air caused by the uncertainty of not knowing who was alive, dead or a prisoner of war. When they eventually returned, unlike some, they shared their experiences and not once did I hear them complain. They built their homes with their own hands and helped each other rebuild their lives. I understand now that they faced private battles when they came home, but I never saw bitterness or anger. Their gratitude and strength became my earliest lessons in resilience and the notion that the truest measure of a life lies not in what we achieve but in what we give.”

Lest we forget 🌅

What a beautiful person Margaret is. Her story and portrait were captured in her home for Pymble Ladies’ College as part of their publication & project, “Celebrating 110 Years”.

"I was posted to the 9th Battalion, and before I knew it, I was in Vietnam. I didn’t ask to go. None of us did. But we w...
19/04/2026

"I was posted to the 9th Battalion, and before I knew it, I was in Vietnam. I didn’t ask to go. None of us did. But we went. When you’re out there, everything changes. You’re not thinking about politics or public opinion. You’re just trying to keep your mates alive. It’s quick, brutal, and real. And when it’s over, you’re not the same.

Coming home was a different kind of war. We stepped off the plane, and suddenly there’s silence. No routine. No mess hall. No one beside you watching your back. Just you - alone. People don’t get that. They think the war ends when the gunfire stops. But for a lot of blokes, it just keeps going - in the head, in the body, and for some, in the bottle. Some never made it back in the real sense. I had mates - good, strong men - who took their own lives years after the fact. And there are plenty more whose stories never get told.

I was lucky, in some ways. I found my way back through people. The blokes at Nudgee Golf Club; a few old hands who’d been through it. My dad had been President there before he died. They took me in, showed me the ropes. Talked to me straight. Sometimes that’s all it takes - someone who gets it. We don’t talk about everything, not all of it. But when you’ve been through the same mud, words aren’t always needed."

Reflection and portrait with Terry captured as part of the 100th Anniversary project being developed for St Columban's College

“Embracing space and its possibilities is an act of care. It helps us protect the Earth, respond to disasters and unders...
05/04/2026

“Embracing space and its possibilities is an act of care. It helps us protect the Earth, respond to disasters and understand climate change. It teaches collaboration and humility. From orbit, there are no borders. You see one fragile sphere of light and colour, shared by everyone. That single image of Earth is, to me, the most powerful reminder of our shared responsibility.

Today, my work as CEO of Aviation/Aerospace Australia and as a Director of the Space Industry Association of Australia sits at the intersection of policy, technology and human need. During the 2019 bushfires, Australia relied on foreign satellites to track weather and smoke. When those satellites were redirected elsewhere, we lost critical data. People died who might have been saved. That experience changed me. It showed how vital it is for our country to build its own capability. Space technology is life-saving. Every time you check a map, monitor the weather or transfer money, you are using space. It shapes everything from agriculture and communication to defence and health. The recycling systems developed for the International Space Station now influence how we manage waste on Earth. Medical imaging, water purification and weather prediction all trace their origins to space research.”

Portrait and story with Anntonette created for Pymble Ladies' College as part of their publication & project, "Celebrating 110 Years".

"After university and travel, I was happily building a career in marketing. Then life took its own course, and in the sp...
29/03/2026

"After university and travel, I was happily building a career in marketing. Then life took its own course, and in the space of eleven months, I had two unplanned pregnancies. My obstetrician husband, Vijay, and I joke that we were clearly not well-versed in the finer art of contraception. My life imploded. Our little family felt broken, and I can only describe myself as feeling like I was being pulled into a vortex that was spinning out of control. When I was diagnosed with postnatal anxiety and depression, it came as a relief. At least now there was a name for the horror.

Those two years were awful, but some wonderful people gave us hope and helped us find our way back. The kindness of my school friends, when I was at my lowest and they were busy with their own lives, will stay with me forever.

In time, perhaps in defiance, I set out to prove that I could be a good-enough mother, and we went on to have three more children. Tom and Jack were joined by Oliver, Hugo and Imogen. Our big, noisy family combined with Vijay’s Indian relatives to make life rich, chaotic and beautifully messy.

It was around this time that I serendipitously crossed paths with a group of women whose sister and friend had tragically died by su***de when her baby was only a few months old. She had been suffering from postnatal anxiety and depression. In her honour, they were raising funds and awareness for maternal mental health. Her nickname was Gidget, and from her legacy, Gidget Foundation Australia was born. In becoming the founding CEO, I found my purpose."

💙

What stays with me from my time with Catherine isn’t just the struggle, but the honesty in naming it. The courage in allowing it to be seen for what it was, without softening the edges. Because in doing so, it creates space for others to recognise something of themselves in it too.

There’s something profoundly powerful in that.

The idea that what nearly undoes us can, in time, become the very thing that gives shape to how we move forward.

“At 80, I allowed myself to feel proud.”It’s a simple sentence, but one that carries the weight of a lifetime. With thes...
22/03/2026

“At 80, I allowed myself to feel proud.”

It’s a simple sentence, but one that carries the weight of a lifetime. With these words, Diana was reflecting on her extraordinary journey as an artist and archaeologist (and exhibiting her works at the Wollongong Art Gallery in 2024), yet it felt as though they reached far beyond any one discipline - holding within them the quiet accumulation of years, choices, and lived experience.

Decades spent weaving, teaching, raising a family, and uncovering fragments of history - both ancient and personal.

What stayed with me most wasn’t simply what she had done, but the way she understood it. How she found meaning in the making. Each piece of work, she said, is bound to a chapter of her life.

Not separate from it. Not decorative. But deeply connected.

“They are not fleeting things,” she reflected. “They hold time within them.”

And perhaps that’s the point.

Not just to create, but to hold something of a life within the tapestry we leave behind.

~

Portraits and story with Diana created for Pymble Ladies' College as part of their publication & project, "Celebrating 110 Years".

“I grew up in Kharkiv, Ukraine, in what feels now like another lifetime. A life that’s mine but, oddly, feels like an ec...
15/03/2026

“I grew up in Kharkiv, Ukraine, in what feels now like another lifetime. A life that’s mine but, oddly, feels like an echo. My childhood was one of happiness and laughter. An endless chain of days that were safe, simple, filled with school, friends and dance. Those years feel golden now, glowing with innocence.

Then the light went out.

Thursday 24 February 2022.

At five in the morning mum burst into my room, her face white with panic. The war had started. I could hear what she was shouting, but I couldn’t make sense of it. Half-asleep, I asked her if I was going to school that day. She shook her head, and in half a heartbeat, life was changed. Forever.

Within hours, our city dissolved into chaos. Sirens screamed across the skyline, explosions rolled in the distance. We lived on the sixth floor of a rental apartment, and from up there I could see smoke rising. My parents pushed us into the basement, where neighbours huddled close around us. Five of us crammed into a space barely three metres wide: my mum, dad, me, my fourteen-year-old brother and my youngest brother, only three. We stayed there for a week, sitting on concrete, shivering, listening. At first I tried to laugh it off, filming little videos, pretending it was a strange holiday underground. I’d even go back up to our apartment for a shower, deflecting the desperate pleas from Mum to return as I’d climb the stairs.

I was fifteen. Old enough to understand something catastrophic was happening, but too young to truly comprehend what war meant. My brain refused to catch up with the reality in front of me. I told myself it couldn’t be serious, that it would all be over in a few days. It felt like a fever dream. One I would surely wake up from at any moment.

But then one day, my parents stepped outside for air. A missile cut through the sky above their heads and landed only a couple of kilometres away. My mum rushed back inside: hysterical, sobbing so hard she could barely breathe. My dad’s face was blank. That was the moment the truth landed. This wasn’t temporary. This was war. Cold. Numbing. Real. We were no longer children with routines and hobbies; we had become refugees in our own country, carrying only dread and fragments of a life that no longer existed.

When we fled Kharkiv, the fear felt endless. Two cars, our family split in half, pets squeezed between us. Three days across Ukraine stretched like a lifetime. The country was broken: no food, no fuel, no safety. Supermarket shelves were stripped bare except for candies and scattered reminders of life before war. Shops and homes abandoned. The roads were gridlocked with cars, each carrying signs taped to the windows, some reading ‘children inside, please don’t attack’. Every stop felt like an invitation to disaster. We slept one night in a half-collapsed hut, the other nights twisted in the car, waiting for morning.

I remember my dad’s silence the most. He had always been a structured man, practical, organised, a planner. But there was no plan left to make. He moved through those days like a machine, making decisions because he had no other choice. My mum, overwhelmed by the weight of holding us together, broke down again and again. It was painful to watch the people I looked up to, those I loved so dearly, unravel before my eyes. The war stripped them bare: made them fearful, vulnerable, human.
From Ukraine we crossed into Moldova, then Romania, living on the kindness of strangers who took us in. My mum’s sister begged us to come to Australia. We thought it would be temporary: a holiday until things settled down. But three years later, we are still here. We left our pets with strangers, and even now that memory guts me. Leaving my dog behind was the hardest part. I cried every day.

We left behind not only our home but who we were, stepping into a country that quite literally felt like another planet.

When we arrived in Sydney, we had almost nothing. Winter coats. One pair of shoes each. A candle from the basement. And, it was summer. We moved seven times in three years, chasing stability. My dad worked as a painter, studied cybersecurity, and still works nights for his Ukrainian company. My mum did everything she could: aged care, translation, eventually finding a job in IT. Every sacrifice, every sleepless night, was for us.

And then there was Pymble.

After two terms at an English-intensive school, Mum had met a Ukrainian lady through Facebook whose daughter, Lauren, went to Pymble. Lauren advocated for me. I begged my mum not to send me to an all-girls school. I thought it would be hell. How could a girl from the other side of the world, who could barely string an English sentence together, possibly find her place or a friend?

But I was wrong. Through Lauren and her family’s kindness toward a displaced family of strangers, and with the support of Dr Hadwen, the College community, and the generosity of Simon and Alison Rothery, who funded my scholarship throughout my time at Pymble, I was given one of the greatest gifts of my life — the chance to belong. Their belief in me gave more than an education; it gave me purpose, stability, and the confidence to find my place in a new country.

On my very first day at Pymble, I found myself on a three-day camp at Collaroy. It was sink or swim, and somehow, I swam. From the moment I met my buddy, Ashley, something shifted. Girls walked me to classrooms when I got lost, teachers showed patience when my English faltered, and friends invited me in. For the first time since the war began, I felt like I belonged.

It wasn’t easy. Sitting exams in a language I had only spoken for two years was brutal. But I got through it. I survived. And that survival felt like something more than a mark or a number. It was proof that I could rebuild a life from nothing.

Now, three years on, my parents are working, my brothers are settled in school and, for the first time in years, we live in one place. Life has rhythm again. Slowly, we’re finding peace.
When I look back, the contrast is stark. The war showed me the darkest parts of humanity. Fear, collapse, survival at any cost. But it also revealed the quiet strength of my parents, who gave up so much so that my brothers and I could be safe, and the resilience of our family as we learned to begin again. Their sacrifice opened the path to Pymble and a community that showed me the best of humanity in the worst of times: kindness, opportunity and the belief that I have a future here.

I will always carry both the darkness of what we fled and the light of what we found, because in the end I’ve learned that home is not a place on a map or the walls of a house. Home is where you are safe, where you are held by love, and where you are free to dream of tomorrow.”

🤍

Posting a full story isn’t something I do often in this space, but for Kseniia, I just couldn’t share one part without the others. As we sat and chatted for a couple of hours, I was in awe (and still am). Her strength and resilience is clear to see, but what struck me more than anything was her warmth. What a remarkable young woman.

Portraits and story with Kseniia created for Pymble Ladies' College as part of their publication & project, "Celebrating 110 Years".

"At its best, interviewing is intimate, raw and deeply human. It’s about allowing a moment to breathe and letting it unf...
08/03/2026

"At its best, interviewing is intimate, raw and deeply human. It’s about allowing a moment to breathe and letting it unfold - an experience that is never perfected. With time, you learn as a journalist when to lean in and when to stay quiet, even when your heart is racing. It takes restraint to let someone sit in their own silence, but that’s often when the truth appears.

The real skill isn’t in asking clever questions. It’s in earning honesty with a mix of instinct, empathy and trust. Ultimately, it comes down to care. You can prepare endlessly, but the best conversations rarely follow a plan. They find their own rhythm. The conversations that stay with me are never those with well-rehearsed, polished answers. They are the ones full of authenticity; the small hesitations, the cracks in a voice, and the breath that catches before someone says something real. That’s when you know you’re no longer just talking. You’re connecting."

Sharing this portrait and story of Melissa on International Women’s Day couldn’t be more fitting. An inspiration to many, Mel’s passion for people and their story has underpinned everything that her extraordinary career has been built. A gift that instantly shone through during our time together.

Created for Pymble Ladies' College as part of their publication & project, "Celebrating 110 Years".

“My grandmother is 93 years old. She still lives alone and speaks three Aboriginal languages as fluently as English. She...
01/03/2026

“My grandmother is 93 years old. She still lives alone and speaks three Aboriginal languages as fluently as English. She remembers the stories of our people and tells them with light in her eyes. She talks about travelling with camels through the ranges, camping under the stars and how her father taught her to listen to the land. She has lived through hardship most of us will never know, yet she carries it gently. She doesn’t dwell on the pain, she chooses joy, humour and purpose in the way she lives. Watching her, I see that endurance is more than mere survival. It is a memory stitched through generations. It’s not about how much you can bear, but how softly you can hold your past and still move forward with pride.”

Portrait and story with Jessica created for Pymble Ladies' College as part of their publication & project, "Celebrating 110 Years".

12/04/2024

The interview and photography process is one thing, but the dive back into the stories through the writing process is really special. To order your copy of ‘The Final Verse’, head to brodygrogan.com 🥰

Tahnee + Charlie ~ 🦋
22/02/2023

Tahnee + Charlie ~ 🦋

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