El Viaje Posible

El Viaje Posible Un Viaje Posible |Andres Bonafede
📽️ Un cambio de vida puede empezar con una cámara
🧭 Blog, arte & documentales de ruta
📷 Fotografía en colodion húmedo

31/12/2025

Se va el 2025

Desde el viaje posible queremos saludar a toda la gente que está del otro lado de nuestra red social y a los que se encuentren con este contenido, por el inicio del nuevo año.

Especialmente mandarles un abrazo a todos aquellos que están pendientes de nuestro trabajo y nos mandan día a día buena onda y sus cariños.

Agradecemos mucho la presencia y ojalá este 2026 no se encuentre en ruta.

Un abrazo fuerte!

The Time Machine: A Photographer Will Travel Across the Americas with Emotional Stories Captured in 1850s-Style Photogra...
11/12/2025

The Time Machine: A Photographer Will Travel Across the Americas with Emotional Stories Captured in 1850s-Style Photographs

This text comes from the news published in Diario Los Andes, on December 10, 2025, written by Ignacio de la Rosa. Link at the end of the text.

The adventurer will take between three and five years to capture stories and images frozen in time. His mission: to help individuals who play key roles in their communities.

“Do you know that feeling when you think you have everything figured out and suddenly life slaps you so hard it leaves you inside out? Well, something like that happened to me a couple of years ago. And that’s how this project was born,” says Andrés Bonafede (38). This photographer and researcher will leave Mendoza before February 15th to travel 13,000 kilometers across South America until reaching Colombia. But it won’t be an ordinary trip: along the way, he will interview different people, record their stories for an audiovisual documentary, and photograph them using an antique camera and a technique that requires developing the images on the spot, in real time.

“The photos will be made with the wet collodion technique, which dates back to 1850 and allows you to make photographs directly on glass. The plate must be prepared immediately before being exposed, which means I’ll be carrying the lab ‘on my back’,” Andrés explains. Although he already has an adapted tricycle with the lab mounted behind it, he now has just over two months to find a motorcycle capable of carrying the same setup and becoming his new mode of transport.

Throughout the journey, Bonafede will share moments and interviews with people whose meaningful and concrete actions contribute to their communities—individuals with transformative stories. And it is these actions he will immortalize with artistic, timeless images created with an antique camera and a technique nearly 200 years old.

Through social media and his website, Andrés will share the day-to-day of his journey, along with brief fragments of the interviews with these inspiring figures. The full interviews, however, will be available only for those who, moved by the stories, wish to acquire the complete material.

“In addition to the full interview, I’m going to take three photos using the wet collodion technique. One of the images will go to the protagonist—it’s developed right there in the mobile lab—while the second will be available for sale online together with the complete interview. Also, 65% of the sale price of that material will go to the person who shared their story, so they can use the money for their project or for their role as a community change-maker,” Bonafede explains. He adds that the third photograph will be saved for the final exhibition he will hold in Colombia once the journey is complete.

He estimates the project will take between three and five years. His goal is to travel slowly, discover towns and people, and immerse himself in each story.

A Journey in a Time Machine

Bonafede is a photographer specialized in advertising and has always been dedicated to the preservation of photographic archives. In fact, the only existing copy of the daguerreotype of San Martín—which is kept in Mendoza—is his work.

In 2023, Andrés had everything he believed he needed to be happy. Or at least, that’s what he thought. But suddenly came one of those blows that only life knows how and where to deliver.

“I had everything sorted out, and then a slap knocked me down. My grandmother died, I separated from my partner, I had reached the peak of my work as a photography history researcher at a university in Colombia… After that, I was in really bad shape. Until one day I said, ‘Enough pills, enough of all this!’ I decided to look for my motivations, and that’s how the idea emerged: to travel and interview people—not for what they do, but for why, despite everything, they continue choosing to do what they do,” says the Mendocino, who lives in Godoy Cruz.

That’s how he began sketching the project in his mind, shaping it and defining its contours. From the very beginning, Bonafede knew that he and his work—both the video blog and the wet-collodion photographs—would serve as a vehicle to help others.

He already has a firm departure date before February 15th, heading south from Mendoza. Mendoza–Esquel is the first stage of the trip, the only one fully planned and pre-produced. It will consist of 18 episodes over 30 days of intense travel (on bike or on motorcycle—if he manages to get one), during which he will conduct 10 interviews.

“One of the stories will be in Centenario, Neuquén, where a women’s cooperative works in orchards. They grow apples and vegetables, but due to gentrification the population has expanded over those lands. So this group of women has organized to preserve the orchards. The money raised from the audiovisual interview and the photo will go directly to that cooperative,” Andrés explains.

The mind behind the project will travel alone, revealing the antique photographs in his mobile lab in every place he visits, and assembling the first edit of the recorded material (which he will upload to the cloud). Meanwhile, his team in Mendoza will handle social media and final editing (color, sound, transitions).

“I don’t like the idea many YouTubers have of dropping into a place, extracting culture, and leaving. I want to leave something meaningful behind. The project is not just a travel video blog; it’s about finding stories that help me generate content, but above all, that help the other person achieve their goals,” he elaborates.

Ready, Set…

Andrés Bonafede is in the final preparation stage of his trip, polishing details. Still, he’s not exactly “out in the sticks with nothing”—as the saying goes—or “completely naked,” to put it bluntly. He already has the first stage pre-produced, with confirmed people and stories, though unforeseen additions may come up.

“I shouldn’t leave after February 15th because Patagonia starts getting cold, and whether I’m on the bike or the motorcycle, crossing into Chile might get complicated. I also decided to start in the South because if I started heading North, I’d be there during full summer—too hot—and that would cause the photographic plate to dry too quickly, and it must stay wet!” Andrés confides.

Among the preparations still pending, the most urgent—aside from finding sponsors to help cover the project’s expenses (always welcome)—is buying a motorcycle. The test rides and trial stages for this “massive, massive trip” have all been done on an adapted tricycle bike with the lab attached behind. But Bonafede already has the blueprint ready to mount the same lab on the motorcycle once he gets it.

He is also looking for a satellite internet provider willing to support the project with a connection that will allow him to upload his minimally pre-edited material from anywhere in South America.

“I’m selling everything I have at home—my bed, my cutlery, my furniture. I’m betting all my material belongings on this project, which is what moves me today,” he reflects.

What the Photographer Will Carry on His “Time Machine”

Although Andrés will travel as light as possible, there are essentials that form the backbone of the journey.

The photographic lab—currently mounted on the back of his bicycle and ideally soon on a motorcycle—will travel with him. This mobile cabin will be accompanied by a large-format camera (built by Andrés himself, ready to use, producing 13×18 cm photos) and a significant amount of chemicals to keep the photographic plates wet. He will also carry the basics needed to survive: a tent, sleeping bag, and warm clothing.

How to Help

While the journey is confirmed, Andrés remains open to support from those who wish to help—companies willing to contribute products or services he’ll need daily (starting with the motorcycle), or financial support.

For individuals passionate about the project, contributions can be made through his BNA+ bank account under the alias elviajeposible. He can also be contacted by email at [email protected]
, on Instagram and YouTube at , or by phone at 5492617183707.

“My calculation is that for every 1,000 pesos I receive, I can travel one kilometer,” he explains.

What the Journey Will Look Like

The only part already nearly finalized and pre-produced is stage one, which will take him from Mendoza to Esquel. After that, he will plan his path depending on the stories he encounters and the material he produces.

Beyond that, the stages are clearly defined:

E1 Argentina: Mendoza – Esquel
E2 Chile: Osorno – La Serena
E3 Argentina: San Juan – La Quiaca
E4 Bolivia: Villazón – La Paz – Lake Titicaca
E5 Peru: Desaguadero – Cusco – Zurumilla
E6 Ecuador: Huaquillas – Quito – Tulcán
E7 Colombia: Ipiales – Neiva – Bogotá

original text:

El aventurero demorará entre tres y cinco años para capturar historias y fotos detenidas en el tiempo. Busca ayudar a personajes que sean claves en la comunidad.

Cada vez mas cerca de comenzar! / Getting closer to start!Así se ve la fuente de los Continentes, del Parque General San...
11/12/2025

Cada vez mas cerca de comenzar! / Getting closer to start!

Así se ve la fuente de los Continentes, del Parque General San Martín de la Ciudad de Mendoza (Arg)

Esta foto realizada con la técnica del colodión húmedo, te muestra gran cantidad de detalles a pesar de ser un sistema de 1850.

Y para que no queden dudas esta foto fue realizada hace unos días, no es una foto antigua. Si, todavía puede usarse este procedimiento fotográfico!!

Este tipo de fotografías serán las que haremos en nuestro viaje por America Latina, entrevistando además a personas que aporten un valor a sus comunidades y merezca ser contado en un micro documental.

Apoyanos en este viaje!
Si te interesa saber más, dejamos tu comentario!
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This is what the Fountain of the Continents looks like in General San Martín Park in Mendoza City, Argentina.

This photo, taken using the wet plate collodion process, reveals a great deal of detail despite being from an 1850s system.

And just so there's no doubt, this photo was taken a few days ago; it's not an old photo.

Yes, this photographic process can still be used!

These are the kinds of photos we'll be taking on our trip through Latin America, where we'll also be interviewing people who contribute something valuable to their communities and whose stories deserve to be told in a short documentary.

Support us on this journey! If you'd like to know more, leave a comment!

Hoy hemos dado un paso gigante. Y no lo digo solo por la excelente nota escrita por Ignacio de la Rosa, para Diario Los ...
10/12/2025

Hoy hemos dado un paso gigante.

Y no lo digo solo por la excelente nota escrita por Ignacio de la Rosa, para Diario Los Andes, qué has sabido combinar perfectamente la sensibilidad del proyecto y sus orígenes con sus objetivos y deseos; sino que ya tenemos una fecha para iniciar este periplo por América Latina.

He decidido dejar la provincia de a más tardar el 15 de febrero llevándome conmigo los recuerdos de mi tierra y lo necesario para sobrevivir haciendo fotos en el camino.

Me doy cuenta que no ha sido fácil postergar todo este tiempo la salida, como así también entender que es inevitable partir. Pero ya es momento de despojarme de todo y lanzarme antes que el invierno crudo de la Patagonia me arrebate el calor del corazón.

Quiero invitar a todos ustedes a sumarse y ayudarme a desprenderme de todo y poder partir.

Dentro de unos días tendremos capítulo nuevo y ya coronando mis últimos meses de pruebas y ensayos. Quién sabe quizás aparece la moto que necesitamos y este viaje se hace más llevadero, o quizás será cuestión de encarar la ruta con la bici y el laboratorio a cuestas. Todavía hay tiempo de sorprenderse por lo que mis esperanzas siguen intactas.

Recuerden que si quieren colaborar pueden hacerlo de muchas formas y para eso nos pueden escribir; Pero quizás lo más importante es contar con el apoyo de ustedes haciendo crecer nuestra comunidad.

Les mando un abrazo enorme y estoy muy feliz de haberme puesto por fin una fecha de partida.

Si querés leer la nota completa búscala en el portal de Los Andes, diario de Mendoza.



27/11/2025

How to Make a Wet Collodion

Here is a brief description of the process:

Wet collodion ambrotype is an ancient photographic process that requires skill and patience. Here are the general steps for making ambrotypes using this method:

Preparation
1. Prepare the equipment: darkroom, lenses, glass plates, collodion, silver nitrate, fixative, and the laboratory, of course.
2. Select the material: clean the glass plates and prepare the developing chemicals.

Making the plate.
1. Clean and dry the glass plate.
2. Apply collodion: pour a thin, even layer on the plate.
3. Sensitization: dip the plate in silver nitrate and acetic acid to sensitize it.

2. Exposure
1. Place the plate in the darkroom.
2. Exposure to light: adjust the time according to the available and desired light.

3. Development
1. Developer: a developer based on iron salts and acetic acid is used.
2. Washing and fixing: the plate is washed with water and fixed with sodium thiosulfate.

4. Finishing
1. Drying and varnishing: the plate is dried and a varnish is applied to protect it.
2. Mounting: the plate is mounted on a suitable support.

Considerations
- Wet collodion is a delicate process and requires careful handling.
- Temperature and humidity affect the process, so if the plate dries out too much due to ambient heat, the image may never be developed.
- Practice and experimentation are required to achieve optimal results.

It is important to note that this process is complex and requires specialized chemical and photographic knowledge.

If you would like to try this process, be sure to follow the appropriate safety measures and, if possible, take a course beforehand.

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Mi primer colodión humedoEra verano del 2013 y decidí comenzar a probar esta técnica, con la gran dificultad de vivir en...
27/11/2025

Mi primer colodión humedo
Era verano del 2013 y decidí comenzar a probar esta técnica, con la gran dificultad de vivir en un desierto.

En la provincia de , , el clima es muy seco durante el verano y esta técnica requiere de sus cuidados.

Sin embargo, aquí está, el primer resultado. Lamentablemente no poseo la placa, se rompió hace años, pero ver su imagen me recuerda el estrés que pasé al momento de tomar esa fotografía.

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My first wet plate collodion
It was summer 2013 and I decided to start trying this technique, with the great difficulty of living in a desert.

In the province of , , the climate is very dry during the summer and this technique requires your care.

However, here it is, the first result. Unfortunately I don't have the plate, it was broken years ago, but seeing its image reminds me of the stress I went through when taking that photograph.





Los detalles son asombrososNunca pude hacer una fotografía así de nuevo, pero recuerdo perfectamente bien lo que me cost...
27/11/2025

Los detalles son asombrosos

Nunca pude hacer una fotografía así de nuevo, pero recuerdo perfectamente bien lo que me costó realizarla.

Es la pluma de un ave rapaz de mi zona y esta placa es de solo 9x12cm

Sin embargo, sigo enamorado de la resolución de una placa húmeda al colodión.

________

The details are amazing

I was never able to take a photograph like that again, but I remember perfectly well what it cost me to make it.

It is the feather of a bird of prey from my area and this plate is only 9x12cm

However, I'm still in love with the resolution of a collodion wet plate.



Un retrato del mas allá, es lo que parece esta fotografía. Sin duda mi manejo de la técnica fotográfica era bastante inc...
27/11/2025

Un retrato del mas allá, es lo que parece esta fotografía.

Sin duda mi manejo de la técnica fotográfica era bastante incipiente en 2013.

Definitivamente, no es sencillo hacer fotos con este sistema.

_______

A portrait of the afterlife, is what this photograph looks like.

Without a doubt my use of photographic technique was quite incipient in 2013.

It is definitely not easy to take photos with this system.



¡Cuántas veces los que llamamos amigos no son más que cómplices de nuestro amor propio!Ahí está el único tipo quizá tan ...
27/11/2025

¡Cuántas veces los que llamamos amigos no son más que cómplices de nuestro amor propio!

Ahí está el único tipo quizá tan apasionado por lo que hace como a veces me siento con mi propio trabajo.

será ese amigo que esté donde esté, resuena adentro de mi cabeza diciéndome que siga.

En estos momentos tan raros de mi vida, quizá tenga razón y sea momento jugar la ultima moneda y salir adelante con este proyecto de viaje y colodión, que alguna vez también pensamos juntos al lado de las vías del tren.

______

How many times those we call friends are nothing more than accomplices to our self-love!

There is the only guy perhaps as passionate about what he does as I sometimes feel about my own work.

will be that friend who wherever I am, resonates inside my head telling me to continue.

In these strange moments of my life, perhaps I am right and it is time to play the last coin and move forward with this travel and collodion project, which we also once thought of together next to the train tracks.



Un colodión bien realizado, a mi entender, no es solo técnicamente completo, sino que además debe penetrar en los ojos d...
27/11/2025

Un colodión bien realizado, a mi entender, no es solo técnicamente completo, sino que además debe penetrar en los ojos de quienes son fotografiados... para convertirse en un reflejo genuino del momento.

La calidad es subjetiva en estos casos; lo que importa es ese tono de paz y confianza que puede verse en los rostros de quienes te dejan apuntarles con el lente de la cámara.

_________

A well-executed collodion, in my opinion, is not only technically complete, but must also pe*****te the eyes of those who are photographed... to become a genuine reflection of the moment.

Quality is subjective in these cases; What matters is that tone of peace and trust that can be seen on the faces of those who let you point the camera lens at them.



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