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Published: NatGeo, BBC, CNN, Forbes, etc

Sometimes I think about how difficult it is to do justice to a sky like this.The real challenge is always balance — bala...
01/06/2026

Sometimes I think about how difficult it is to do justice to a sky like this.

The real challenge is always balance — balance between the subject and everything around it.

Now imagine a cheetah climbing a tree at sunset. The first instinct for most photographers would be to zoom in, expose for the cheetah, maybe front-light it, keep detail in the animal, get the classic “epic wildlife shot.”

And honestly, there’s nothing wrong with that.

But when I saw this scene, the sky became my subject.

I asked my guide to position the vehicle directly against the light for a silhouette. He thought I was making a mistake. But to my relief, I was completely alone at the sighting, so I had the freedom to experiment without ten other cars blocking the angle.

The tree was what held the frame together for me — its shape breaking the fire in the sky — and the cheetahs became the final detail, almost like little bonus points hidden inside the scene.

For me, wildlife photography is not always about showing the animal clearly. Sometimes it’s about showing the feeling of the moment.

Q: What would you have done in my position?
Exposed for the cheetah… or gone for the silhouette?



Shot on Nikon Z9 with NIKKOR Z 14-24mm f/2.8 S

Lions, dust and backlight…Picture yourself sitting right against the sun, surrounded by tall grass glowing orange as the...
28/05/2026

Lions, dust and backlight…

Picture yourself sitting right against the sun, surrounded by tall grass glowing orange as the last light spills across the plains. And then suddenly, the lions begin their territorial calls. In that moment, I wasn’t thinking about a portrait… I was thinking about the dust. About how every breath, every movement, every particle in the air would ignite in backlight.

This frame was far from easy. The male was walking on the road, which was the exact opposite of what I wanted. I wanted grass, atmosphere, depth. But there were vehicles everywhere, and almost everyone had positioned themselves behind the sun and in front of the lions for the classic front-lit headshot. Meanwhile, I stayed against the light, waiting for tiny openings between cars to get a clean frame.

And then, almost perfectly, the male stepped into the grass and stopped to call — mostly because the vehicles had blocked the road ahead. For a few seconds, the dust rose, the light hit just right, and the entire savanna turned into gold. Sometimes wildlife photography is patience, sometimes it is technique… and sometimes it is pure chaos aligning for one frame.

First shot from my very first camera trapping session back in 2016.I still remember how anxious I was that day. I set th...
25/05/2026

First shot from my very first camera trapping session back in 2016.

I still remember how anxious I was that day. I set the traps up and then sat inside the car the entire time, constantly watching to see if the cubs would come near the camera… if the sensor would even work… if the camera would click at all.

And then this little cub walked in.

Looking back now, I can’t believe it’s been almost 10 years since that moment. So much has changed — the techniques, the knowledge, the confidence, the storytelling — but the feeling of excitement every time a trap goes off still remains the same.

Posting this today as a memory of where it all began… and as a reminder that every good thing that happened was once just me nervously trying for the first time...

Shot with Nikon

How many birds do you see? Shot with Nikon Z9
14/05/2026

How many birds do you see?

Shot with Nikon Z9

Just two babies having a good time… Question: Do you know how did I get this dramatic dust off behind the calves? I pinn...
13/05/2026

Just two babies having a good time…

Question: Do you know how did I get this dramatic dust off behind the calves?

I pinned the Answer in the comment 👇🏽



Shot with Nikon

A 14mm perspective of a wild orangutan mother carrying her daughter through the forest floor.Orangutans are true tree dw...
10/05/2026

A 14mm perspective of a wild orangutan mother carrying her daughter through the forest floor.

Orangutans are true tree dwellers. They rarely prefer coming down to the ground, which is what makes this moment so special… and heartbreaking at the same time. If you look closely at the background, the forest tells its own story. The trees are thin, scattered, and depleted. The dense canopy that once allowed them to travel, forage, and live safely above the ground is disappearing.

Instead of moving freely from tree to tree in search of food, this mother is forced to walk across the forest floor with her baby on her back. This is the reality we have created for them.

But even within that reality, this image speaks of something powerful — motherhood.
Strength. Protection. Resilience. Love.

No matter the species, mothers are the same across the wild. Fierce when their children are threatened, endlessly patient when they are safe, and willing to carry the weight of the world for them without hesitation.

Personal Note:

I spent 5 days and nights with this wild mother and child to slowly earn her trust and confidence before being able to witness and photograph moments like this in close proximity. She was never baited, disturbed, or harmed in any way. Every interaction happened entirely on her terms, and this image exists because she was comfortable enough to let me into her world for a brief moment.

Shot with Nikon Z9 and 14-24mm


🐘Gentle Giants in Silhouettes… Shot with Nikon
08/05/2026

🐘Gentle Giants in Silhouettes…

Shot with Nikon

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