Eleanor Macnair

Eleanor Macnair Photographs rendered in Play-Doh I have a simple, naïve love of photography and I hope this is reflected in this series. It’s my strange tribute to photography.

Photographs Rendered in Play-Doh started on a whim in August 2013 following a photo pub quiz run by artists MacDonaldStrand in Brighton. One of the rounds was to make a reproduction of a famous photograph using Play-Doh. It is said that you only need one good idea in life. I didn’t have one so, in the spirit of post-modern re-appropriation, I used MacDonaldStrand’s idea. My tools are amateur. Play

-Doh, a chopping board, a scalpel and an empty wine bottle as a rolling pin. The work is accessible, easy and inexpensive to make. The audience is wide and the whole project is a testament to the democracy of the internet

After I’ve finished a work I shoot it and take it apart, returning the Play-Doh to respective colour pots to re-use. The orange background in the Man Ray became the dead leaves in the Alec Soth, the pocket handkerchief in the Seydou Keita and the hair in the William Eggleston. The works no longer exist, they become ephemeral, and I’m usually the only one who has ever seen them in their 3-dimensional state. The photographs here are all that remain. I never said it was serious. They are what they are. Photographs Rendered in Play-Doh.

New York friends... I've got an exhibition at Photoville festival which opens tomorrow. Sadly I can't make it out to see...
06/06/2025

New York friends... I've got an exhibition at Photoville festival which opens tomorrow. Sadly I can't make it out to see it (the realities of single parenting) but would love it if some of you could visit for me and take some photos! Preferably with you in them. Would love to see your faces!

https://photoville.nyc/exhibition/whilst-the-world-sleeps/

It's a free festival from 7-22 June and there are over 80 exhibitions across the city. Mine is in Brooklyn Park close to that of the legendary Jamel Shabazz. Did I mention it was free?

https://photoville.nyc/

It's always a strange, but joyful thing to see the models I make late at night on my chopping board find their way out i...
28/04/2025

It's always a strange, but joyful thing to see the models I make late at night on my chopping board find their way out into the world... They have travelled further than I could have imagined.

Last week I was lucky enough to go to Budapest to see them on display in the exhibition 'Recreated Moments—Play-Doh Icons in the History of Photography' at the beautiful Mai Manó Ház . The exhibition, curated by László Baki, shows nearly 50 works following the chronological order of the original photographs, taking visitors on a unique journey through photographic history.

https://www.maimano.hu/programs/exhibition---eleanor-macnair-recreated-moments---play-doh-icons-in-the-history-of-photography

A big thank you to all at Mai Mano House for inviting me to exhibit the project there and making us so welcome.

Photo credits: installation images 1-6 by photographer David Biró for Mai Manó House . Tour photographs 7-10 by photographer Krisztina Bilák for Mai Manó House.

One of my favourite photographers, John Myers wrote a lovely text about my new book 'Whilst the World Sleeps'. An extrac...
09/04/2024

One of my favourite photographers, John Myers wrote a lovely text about my new book 'Whilst the World Sleeps'. An extract is below. Thank you John!

'It is as if during the hours of darkness whilst Martin Parr, Nan Golding and others are fast asleep and snoring in bed their photographs…wake-up…and the figures begin to do their own thing.

The ears in the photomaton of Salvador Dali are squeezed on and appear to be back to front and his jacket seems to have been scarified by an implement from the kitchen drawer - but they work.

In a Sudden Gust of Wind the figures are genuinely disorientated. One figure with arms outstretched has lost his bearings, a man struggles with a bent walking stick another is blinded by pink debris…and a trail of white paper swirl across a blue Play-Doh sky.

In the background of Girl with Lily the light modelling of a relief in green, cursory marking of door panels and a fold of curtain are just enough to give the figure in blue with a yellow headscarf an electrifying presence. Lola, wearing a simple red dress against a green background (pictured here), is monumental but looks as if she has just been awakened and none too happy at that.

I warm to a Play-Doh sky with a slight kink in it and clouds that resemble wet patches of torn Kleenex. And grass, foliage and joyous patterning handled with unerring directness that would have inspired Douanier Rousseau and Matisse.

I was familiar with many of the originals that these photographs are based upon but I never felt the inclination to ‘match’ and compare Eleanor’s work with the originals.

Why would I when these Play-Doh creations stand in their own world and their own space.'

https://rrbphotobooks.com/products/whilst-the-world-sleeps

BOOK NEWS! 'Whilst the world sleeps' my new book will be published next month by Rrb PhotobooksThe images in 'Whilst the...
02/02/2024

BOOK NEWS! 'Whilst the world sleeps' my new book will be published next month by Rrb Photobooks

The images in 'Whilst the world sleeps' were created late at night using Play-Doh, an empty wine bottle as rolling pin, a knife and a chopping board. The book will contain over 50 images from the archive of nearly 400 I have created since the project began in 2013 - basically, all my favourites and I hope some of yours too!

You can pre-order the book at the link below at a special pre-publication price. We are doing a Special Edition also which includes a print of the June Bug photograph by Gordon Parks - also shown here.

https://www.rrbphotobooks.com/products/whilst-the-world-sleeps

'Signs' the exhibition will open on 9 February 2024 a Kleinschmidt Fine Photographs in Wiesbaden, Germany. Original phot...
21/12/2023

'Signs' the exhibition will open on 9 February 2024 a Kleinschmidt Fine Photographs in Wiesbaden, Germany.

Original photograph: 'Trouser - Word Piece, 1972 by Keith Arnatt rendered in Play-Doh.

Original photograph: Mourner with sign at the Martin Luther King memorial service, Memphis, Tn, 8 April  1968 by Bob Ade...
27/11/2023

Original photograph: Mourner with sign at the Martin Luther King memorial service, Memphis, Tn, 8 April 1968 by Bob Adelman

This is another image from my series reproducing photographs of people holding handheld signs which will go on display in Germany next year. I wanted to react a photograph by Ernest Withers of the sanitation workers strike from March 1968 where this sign first made it's appearance where the sheer number of these signs holds such power - but I just couldn't do that much detail in play-doh. So I chose instead this one as I'm interested in how this sign has such longevity and in this photograph you can almost feel the crowds marching past. A quick online search will show how it's been re-used both by protesters and artists over the past 65 years.

Original photograph: Anti-Brexit march and the Downs Festival, Bristol 2019 by Martin Parr rendered in Play-dohI'm still...
21/06/2023

Original photograph: Anti-Brexit march and the Downs Festival, Bristol 2019 by Martin Parr rendered in Play-doh

I'm still recreating photographs which show people holding signs - not just protest photographs but different ways artists have incorporated hand-held signs in their work. I'm interested in these images as the sign allows the subject to retain a voice, to varying extents.

I love this one by Martin Parr - because I'm sure I'm not the only one who is really cross right now! Inaction on climate change, treatment of migrants, sewage in our rivers and seas, MPs abstaining on this week's privilege committee vote, the cost-of living-crisis - the list goes on. Also, with the eroding of the fundamental right to peaceful protest here in the UK, for how much longer will we be able to stand in the rain with a soggy cardboard sign saying how cross we are?

Original photograph: Sinaida Grussman, 1945, Kloster Indersdorf by Charles HaackerI stumbled across images taken at Klos...
25/05/2023

Original photograph: Sinaida Grussman, 1945, Kloster Indersdorf by Charles Haacker

I stumbled across images taken at Kloster Indersdorf whilst looking for photographs of people holding signs. I'm interested in the different ways that artists and photographers have incorporated handheld signs into their work and to what ends. This was one of the most heart-breaking set of images I found.



In 1945, a former convent near Dachau named Kloster Indersdorf became a temporary home for hundreds of displaced children after World War II. To help locate relatives, a photograph was taken of each child to be circulated in search notices. The photographer, an American called Charles Haacker, stood each child in front of a simple bedsheet backdrop. Many of the children had changed markedly during the war, and so including their names was to help locate family members who may no longer recognise them. Some had even lost their names.

If you are interested in these photographs, there was an exhibition at the Museum of Jewish Heritage back in 2018 and you can see more of the archive and read the biographies and backgrounds of some of the children in the online exhibition catalogue.

https://mjhnyc.org/exhibitions/my-name-is/

And the girl in the picture… Sinaida Grussman arrived at Kloster Indersdorf in August of 1945. She spoke only a few words of Romanian and Lithuanian and her short stature led staff to believe she was born around 1937. After developing a trusting relationship with a Latvian teacher who was herself a displaced person, Sinaida revealed that she spoke Latvian at home and that her family had relocated to Russia during the war. The teacher learned that Sinaida last saw her father when he joined the army, and that her sister was dead. No one at the children’s center was able to confirm Sinaida’s religion or nationality. Shortly after this picture was taken in October 1945, Sinaida was sent to England.

Original photograph: We Gunna Have To Move Out Soon Fam! by William Camargo rendered in Play-DohI'm still working away r...
09/05/2023

Original photograph: We Gunna Have To Move Out Soon Fam! by William Camargo rendered in Play-Doh

I'm still working away recreating photographs which show people holding signs - not just protest photographs but different ways artists have incorporated hand-held signs in their work. I'm interested in these images as the sign allows the subject to retain a voice, to varying extents. I came across this image by the US based William Camargo a while ago, one of many of his photographs which include signs in his 'Origins and Displacement' series. His staged photographs address histories of labour, segregation, gentrification and police violence.

http://www.williamcamargo.com/

Original photograph: from the Kill the Bill campaign, 2021 by Gary Calton from his series 'Citizens of our Time' rendere...
23/02/2023

Original photograph: from the Kill the Bill campaign, 2021 by Gary Calton from his series 'Citizens of our Time' rendered in Play-Doh

I'm slowly continuing to recreate photographs which show people holding signs - not just protest photographs but different ways artists have incorporated hand-held signs in their work. I'm interested in these images as the sign allows the subject to retain a voice, to varying extents. I had to include an image by Gary Calton who in 1997 began to create an archive of campaigners, their voices and issues. Text by the campaigners is handwritten directly on to the prints.

Although the 'Kill the Bill' campaigns in the UK in 2021 were in opposition to Police, Crime, Sentencing and Courts Bill, this particular image seemed so pertinent with the Public Order Bill Lords amendments being discussed in the beginning of March. If you live in the UK and don't know about this bill... you should.

Original photograph: Outdoor Texts, 1980 © Endre TótI'm back! Well slowly and rustily, trying to recreate new photograph...
16/01/2023

Original photograph: Outdoor Texts, 1980 © Endre Tót

I'm back! Well slowly and rustily, trying to recreate new photographs which show people holding signs - not just protest photographs but different ways artists and photographers have incorporated signs into their work. I stumbled across Hungarian artist Endre Tót a couple of months - and very glad I did.

Original photograph: Annie Hasz, Easton Circle, Easton, Pennsylvania, 2007 by Judith Joy Ross. I'm continuing (slowly!) ...
19/08/2022

Original photograph: Annie Hasz, Easton Circle, Easton, Pennsylvania, 2007 by Judith Joy Ross.

I'm continuing (slowly!) to recreate photographs which show people holding signs - not just protest photographs but different ways artists have incorporated signs in their work. I adore Judith Joy Ross's portraits and so just had to include this one when I stumbled across it. It was taken in 2007, but could have been 1967 or 2022 - there are some signs which people seem forever destined to hold.

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