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🫢 I did something for this shoot which I don’t normally do.I didn’t set up any lighting.No external lighting. No reflect...
29/05/2026

🫢 I did something for this shoot which I don’t normally do.

I didn’t set up any lighting.

No external lighting. No reflectors. No modifiers. Just one camera, and all natural light, the way you’d experience it if you were there in person.

Am I lazy for not lighting this shoot?

1/7

Majority of my early work was natural light too, but that was because I didn’t know how to use anything else 😂

Despite knowing how to get a proper exposure on my images, I was never satisfied with how my work looked. I couldn’t describe it, they were missing that extra “pop” or wow factor.

I finally got over myself and learned how to use strobes and external lighting. Maybe that would help.

I could now shoot in places that didn’t have much natural light at all, but my work wasn’t really getting much better, and I couldn’t figure out why.

2/7

That was the worst part. How can I fix something I couldn’t articulate?

I would look at photographers I admired, and their work was always so much better. Was it because they shot at cooler places? A fancier camera? More expensive lenses?

My bank account had its own opinions.

3/7

One day, I was listening to a screenwriter talk about the one key ingredient that underlies all of her work:

Drama.

On a script, drama could be defined as something that occurs when a character is prevented from achieving their desired goal. But how do we show that drama off the page, on camera?

4/7

Visually, drama is manifested through things like the contrast between light and dark. Or how things are placed within the frame and in relation to each other. It could be how and what colors are used, or it could even be things that are hidden from the frame.

Then it occurred to me. It wasn’t about lighting or equipment, or even where I was capturing my shots.

My work was flat and uninteresting, and it was because there was no drama. No contrast, no atmosphere, no context, no story...no soul.

5/7

I showed up to this shoot with all my usual lighting equipment. Strobes, triggers, soft boxes and modifiers.

But, as soon as I walked in and saw the space, I knew I wouldn’t be needing it.

It wasn’t because the natural light was so much prettier, but becau

How I look when I am John Travolta
27/05/2026

How I look when I am John Travolta

A lot of people think photography is mostly about expensive gear, a good lens, and the right edit.Those things help. But...
26/05/2026

A lot of people think photography is mostly about expensive gear, a good lens, and the right edit.

Those things help. But our real job is being good at observing. And that also means being patient and present.

A photographer is constantly reading what’s in front of them: the light, the color, the distance between people, the way someone relaxes when they think no one is watching.

We study light, which is arguably one of the most important elements in a photograph. We’re not just looking for “pretty light,” but how much of it there is, where it’s coming from, whether it’s soft or hard, warm or cool, quiet or dramatic.

Sometimes you’re admiring light when something interesting just reveals itself to you.

And thats the part we work on a lot. Learning to see what a scene is revealing.

We see new friendships forming. We see that glance or that sigh of relief. We don’t see people and poses, we see confidence. Reassurance. Uncertainty. The small things that might have simply passed us by if no one was there to witness it.

Then you must try to anticipate them.

These photos are all different subjects from different places, but they come from the same practice: paying attention long enough for something honest to show up.

If you’re just starting out, go shoot street photography. Find a busy place. Walk slowly. Get lost. Watch how people move through the frame. Find a composition, then wait.

Don’t chase every moment. Let the scene tell you what’s about to happen.

You’ll miss a lot and you’ll be mad about it. You’ll take plenty of photos that don’t work, and that’s all necessary.

Eventually, you’ll start to feel the rhythm, and then you get better at reading when something is about to shift.

And when it does, you have to try and be present. Don’t think. Stay quiet. A decisive moment will come and you’ll learn to trust it, and the picture will take itself.

Arizona is not real 😮‍💨 One of my favorite lakes to visit now that it’s officially lake szn 🤙
24/05/2026

Arizona is not real 😮‍💨 One of my favorite lakes to visit now that it’s officially lake szn 🤙

Hong Kong at night has this strange way of feeling both completely real and completely made up. Like it was built from a...
18/05/2026

Hong Kong at night has this strange way of feeling both completely real and completely made up. Like it was built from a half-remembered dream.

This is a still from some footage I shot while on my way to getting lost. Funny how that’s the best way to find things.

🔊 Sound ON
———
Bonus trivia: old Chinese is written right to left, and you can tell which signs are OGs and which are more recent based on the direction of its characters.

not tryna flex but i own media
17/05/2026

not tryna flex but i own media

when the client says “just one tiny change” and now you’re exporting FINAL_FINAL_v27_REALFINAL.mov at 1:37amsend this to...
17/05/2026

when the client says “just one tiny change” and now you’re exporting FINAL_FINAL_v27_REALFINAL.mov at 1:37am

send this to the editor who is fighting for their life rn 🧊

Real adventures beat AI prompts any day 🏜️Created for  x
12/03/2026

Real adventures beat AI prompts any day 🏜️
Created for x

Recent work and an absolutely magical time with JW Marriott🎄😍✨
01/12/2025

Recent work and an absolutely magical time with JW Marriott🎄😍✨

Can’t stop thinking about Roger Deakins’ beautiful cinematography in this film. I would describe it as a portrait of dec...
23/10/2025

Can’t stop thinking about Roger Deakins’ beautiful cinematography in this film. I would describe it as a portrait of decay. When your soul is rotting and you’re at war with yourself, it’s a slow death but Deakins makes it look almost divine. Super underrated. Have you seen it?

🎞️: The Assassination of Jesse James by the Coward Robert Ford (2007)
Director: Andrew Dominik
Cinematography: Roger Deakins

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