12/31/2025
Last week, the New York Times commissioned me to photograph Yannick Nézet-Séguin during a rehearsal of Handel’s Messiah with the Philadelphia Orchestra, where he serves as music director. Watching him conduct was pure privilege. He moves like a dancer, channeling the music through his entire body, his passion radiating from every gesture.
After the rehearsal (and a 15-minute portrait session), I watched that night’s performance and returned the following evening as well. The Messiah, which I had once found somewhat tedious and overly repetitive, finally resonated with me, and I’ve been binging it ever since.