Christian Fuchs Visual Artist

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A portrait finding its place.Los Angeles ✨
05/10/2026

A portrait finding its place.
Los Angeles ✨




Flower Poems at GyG Home
05/08/2026

Flower Poems at GyG Home




Not all ancestral practices are accepted…though some might prove effective…🖤
05/01/2026

Not all ancestral practices are accepted…
though some might prove effective…🖤




A new little tradition: a portrait-wall photo whenever someone special visits the studio. This time with a wonderful flo...
04/28/2026

A new little tradition: a portrait-wall photo whenever someone special visits the studio. This time with a wonderful floral artist from Rio de Janeiro I met in Chile last year Vivi Reis

A room inhabited by presences. Sunday afternoon at my studio ✨
04/26/2026

A room inhabited by presences. Sunday afternoon at my studio ✨

I always love seeing where my portraits end up living.
Luis de Velasco y Castilla, now installed in a beautiful home in ...
04/22/2026

I always love seeing where my portraits end up living.
Luis de Velasco y Castilla, now installed in a beautiful home in Lima just as art week begins.




Sharing a quiet morning with Arno ✨
04/21/2026

Sharing a quiet morning with Arno ✨

At the studio,between portraits,with someone very special 🩵
04/18/2026

At the studio,
between portraits,
with someone very special 🩵

A reinterpretation of the coat of arms of the Solar de las Calderas de Pinillos.The original emblem once stood above the...
04/15/2026

A reinterpretation of the coat of arms of the Solar de las Calderas de Pinillos.

The original emblem once stood above the entrance of the Casa de las Calderas in Pinillos, in La Rioja. Today, that same stone survives in a house in Torrecilla de Cameros — a quiet displacement of memory across time and landscape.

The lineage of this house is traditionally linked to the Solar de Tejada, one of the oldest known lineages in Spain. It is said to descend from Martín Sáenz de Tejada, one of the thirteen sons of Sancho Fernández de Tejada. From this lineage emerged different branches, among them the one that would establish the Casa de las Calderas.

In time, this lineage reached Peru through Juan José and Juan Alejo Martínez de Pinillos. Juan José was the father of Natividad Martínez de Pinillos de Eléspuru, my fourth great-grandmother.

Over generations, the Calderas of Pinillos became part of the rural nobility of La Rioja, their identity shaped not only by land and lineage, but also by symbols — like the calderas themselves — carrying memory across centuries.
This piece is not a reconstruction, but a reinterpretation. A way of bringing that ancestral image into the present, allowing it to exist again not as a fixed relic, but as something living.
It emerged during one of those quiet afternoons of drawing, shared in the company of my friend, artist Yulia Katkova




genealogy

La Quintrala — Doña Catalina de los Ríos y Lisperger — in a special edition of Arte al Límite .arteallimite
04/11/2026

La Quintrala — Doña Catalina de los Ríos y Lisperger — in a special edition of Arte al Límite .arteallimite

The result of a quiet morning — an orchid drawing resting on a Sabino glass tray.
03/31/2026

The result of a quiet morning — an orchid drawing resting on a Sabino glass tray.

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Los Angeles, CA

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