Sony Cine

04/10/2026

Settling the debate for you — a complete breakdown of the FX6 vs. the FX3 by 🎥
Watch to hear Louis explain the strengths of both cameras from a practical production standpoint, and why he ultimately decided to add the FX6 to his lineup.

Shop the entire FX line through the link in our bio now.

03/17/2026

Lensing an award-winning music video with only the VENICE Extension System Mini.

Sit down with Jon Joffin, ASC, and cinematographer Mitchell Baxter as they share how they shot the ASC Award–nominated “False Prophet” by Pillars of a Twisted City.

Captured entirely on the VENICE Extension System Mini (RIALTO Mini), they pushed limited resources, used only available light, and leveraged the small form factor plus VENICE 2 sensor to move fast and find frames.

Rig: RIALTO Mini mounted on a DJI RS 4 Pro, tethered to the main body riding in a backpack for balance and freedom of movement. A single focus motor and compact E‑mount glass—Thypoch Simeras and ZEISS Nano Primes—kept the head ultra‑light, enabling quick lens swaps, low‑profile operation in tight spaces, and smooth transitions between handheld and gimbal moves. The streamlined footprint let the team stay close to the action and react instantly to changing light and compositions.

Download free resources, tools, LUTs, and BTS via the link in our bio.

Want to shoot your next project with Sony tech? DM us.

03/13/2026

Gear that can withstand all the elements, and help you get the shot in any conditions >> 🏂
“For this snowboarding film, I wanted a camera that could tick all the boxes, and the Sony FX6 did just that.
Light enough to use on high-speed gimbal shots, 120fps, comfortable handles and weight for handheld shots. The internal NDs are also life-saving when shooting in an environment as bright as a ski resort.
As a solo operator on this project, the overall lightness and flexibility offered by the FX6 was really on point while moving around with a backpack through the mountains.” —
DOP . Rider 👏🔥

03/06/2026

The ASC (American Society of Cinematographers) Awards are this Sunday. Join us in congratulating the talented nominees who utilized Sony cinema cameras to bring their visions to life.

Next up — award-winning DP, Ben Kutchins, nominated for his work filming the hit series White Lotus with the Sony VENICE.
We sat down with Ben to ask about his experience filming the latest season of White Lotus, and how he liked using the Sony VENICE for the project.

“I’d definitely choose the Sony VENICE again. It’s a very versatile camera—the sensor is amazing. I’ve shot with almost every camera, and it competes with or exceeds expectations” - Ben.
Watch the full interview through the link in our stories. Congratulations, Ben! We can’t wait to watch the awards this Sunday.

10/10/2025

Hear why filmmaker Ivonne Arceo chose the FX30 paired with the Sony FE 28 -70MM F2 G Master lens to create a high contrast look with beautiful bokeh. Only two more days to take advantage of $300 off the FX30. (Promo live until Oct 12th in the US  & Canada).

 

10/07/2025

We caught up with DP Markus Mentzer who was an early adopter of the . After working on a yet to be released documentary, Mentzer shares his work on a new comedy, The Napa Boys, which premiered at TIFF.

For this, Mentzer leaned on a documentary style of filmmaking and chose the Sony BURANO, which he used in a pair to double up on focal lengths or cross shoot when the need arose.

"Using the BURANO in a more documentary approach just gave me endless flexibility," Mentzer said. "In comedy, if you're going to suddenly roll on a take for 20 minutes and at the last minute, they decide that this is going to work better in handheld, we just don't have the time to create the ultimate handheld rig. We just need to pull the camera off the tripod and start rolling."

Read the full article: https://sony-cinematography.com/dp-markus-mentzer-embraces-the-sony-burano-to-craft-an-indie-comedy-throwback-in-the-napa-boys/

10/06/2025

Mexico-based filmmaker Ivonne Arceo captures an editorial take on Yucatan's Día de Mu***os (Day of the Dead) — a vibrant celebration honoring loved ones who’ve passed.

Shot on the , Ivonne shares:

“The Day of the Dead is our way to celebrate life and remember those who are no longer with us — with color, love and respect through tradition. It was special to film this on the FX30, my first Sony Cinema Line camera. Even in low light, I could still capture stunning images.”

This week only, get $300 off the FX30.

Offer good from Oct 6- Oct 12, 2025, in the US and Canada at Sony Authorized Resellers.

10/01/2025

We caught up with DP Scott Cunningham ASC to find out more about his recent music video with , one of the best-selling groups of all time to find out how he created the look and his experience using the .

"The reason I shot with the VENICE 2 on this project was, for me, it's the most flexible of the camera options that are out there right now," Cunningham said. "I can shoot large format and get 8.6K resolution.

"We shot with the Leitz HUGO lenses, which are a large format lens, for our prime work. For our zoom work, we were shooting Angénieux zoom lenses, which don't cover full frame. But on the VENICE 2, there's plenty of resolution if I go into a standard Super 35 mode," Cunningham added. "So, I can shoot that camera on large format and quickly swap over to Super 35, and I still have plenty of resolution to give post-production choices and give editorial choices.”

Go behind the scenes: https://sony-cinematography.com/scott-cunningham-asc-and-the-sony-venice-2-make-simple-look-big-budget-for-jump-by-blackpink/

09/24/2025

Take a look at the teaser for The Bride! an upcoming film by Oscar-nominated DP Lawrence Sher, ASC (Joker, Godzilla: King of the Monsters, The Hangover). The film is Sher's first project shot entirely on the Sony VENICE 2, with the Sony FX3 being used for select specialty shots.

There’s a monster inside us all. coming soon.From Maggie Gyllenhaal (Academy Award-nominated writer/director of The Lost Daughter) and starrin...

09/22/2025

🏈 Are you ready for some football?
We sat down with rising star sports filmmaker Christina Manfredi — just 21 years old and already capturing iconic moments across top leagues and major games! 🎥🔥

She opens up about:
✅ How she got her start in sports videography
✅ Her approach to getting the perfect shot under pressure
✅ Why the Sony FX6 is her go-to camera for fast-paced action

If you’re into football, filmmaking, or chasing your creative dreams, this is a story you don’t want to miss! 💥

09/08/2025

Emmy award-winning Director of Photography Checco Varese ASC shares why he loves the new for scouting, filmmaking and even as his own personal camera.

The is now shipping.