30/01/2026
Images That Misbehave: Photography, Truth, and the Art of Interference
This course is a conceptual studio seminar that treats photography not as a neutral tool, but as a volatile material—one that lies, leaks, glitches, remembers selectively, and occasionally betrays its maker. Rather than learning photography as a technical skillset, students will interrogate what photographs do in the world: how they shape belief, power, identity, memory, surveillance, and desire.
Through the study of historical and contemporary photographic practices—ranging from vernacular family albums and forensic imagery to propaganda, advertising, social media, and AI-generated images—we will examine how photographs manufacture truth while pretending not to. Special attention will be paid to moments when photography breaks down: blur, erasure, manipulation, decay, compression, mistranslation, and miscontextualization.
Students will read and discuss key critical texts on photography, visual culture, and media theory that challenge conventional ideas of authorship, objectivity, and realism. These readings will fuel studio experiments rather than illustrate them. Expect theory to be messy, argumentative, and productive.
In the studio, photography will be treated as raw material rather than an endpoint. Students will dismantle, alter, translate, and hybridize photographs using methods such as drawing, painting, collage, printmaking, sculpture, installation, digital distortion, sound, text, and low-tech or craft-based processes. Cameras are optional; thinking is not.
Assignments are concept-driven and evolve from discussions, readings, field observations, archival digging, and acts of intentional misuse. Students are expected to develop their own working methods in response to ideas, not the other way around. The goal is not to make “good photographs,” but to produce compelling artworks that question how images operate, circulate, and control meaning in contemporary life.
This course privileges risk, curiosity, and critical failure. If you’re looking for clean answers or technical mastery, look elsewhere. If you’re interested in sabotaging the image to see what falls out—welcome.