Matt Payne Photography

Matt Payne Photography I create compelling Colorado landscape artwork rooted in deep personal connection to the mountains. Photography was not always Matt’s primary focus.

I blend science, storytelling, and years of exploration to craft fine art images that inspire appreciation for wild places and the wonder they hold. Matt Payne is a nature and landscape photographer based in Durango, Colorado, whose path has led him to a profound connection with nature that shapes both his work and lifestyle. Raised in Colorado, Matt spent much of his childhood outdoors, exploring

the rugged surrounding mountains. Those early experiences instilled in him a fascination with nature and a lasting bond with the wilderness, ultimately inspiring him to capture landscapes in ways that reflect both their grandeur and fragility. Initially, he approached these landscapes as a climber and mountaineer, eager to explore and conquer Colorado’s iconic fourteeners. Driven by a passion for the heights and the challenges they presented, Matt spent countless hours navigating these landscapes. In 2012, he completed Colorado’s 14ers, and by 2018, he had achieved his goal of climbing the state’s highest 100 mountains. Along the way, his relationship with the mountains evolved; rather than merely summiting peaks, he wanted to capture the beauty that had inspired him all along. Photography became his outlet to share these experiences and convey the immense scale, isolation, and magic of these remote places. Matt strives to capture landscapes in ways that are both truthful and ethical. In recent years, he has become increasingly vocal about responsible editing and avoiding deceptive practices, as he believes nature’s beauty speaks for itself without exaggeration. Advocating strongly for conservation, he feels a deep responsibility to protect these landscapes and promote ethical photography practices. For Matt, respecting the land always comes first, as photographers hold significant influence in presenting nature to the world. Through his podcast, “F-Stop Collaborate and Listen,” Matt connects with photographers and industry leaders globally. The podcast provides a space for meaningful discussions on photography, ethics, and the challenges faced in an era of rapid environmental change. It has become a way to explore a range of perspectives within the photography community, from well-established names to emerging voices. These conversations have influenced Matt’s work and fostered a broader understanding of the collective responsibility photographers share. Beyond technique and ethics, Matt’s philosophy on landscape photography is deeply personal. For him, photography goes beyond the final image—it’s about the journey, adventure, and moments of solitude in nature. Each photograph represents a piece of that experience, serving as a way to connect with the landscape, honor it, and share its beauty to inspire others to cherish and protect it. Matt is also the co-founder of Nature First Photography, an organization established in 2018 to raise ethical awareness in nature photography. Additionally, he is the co-creator of the Natural Landscape Photography Awards, an international competition that celebrates nature photographers dedicated to realistic photography and editing practices.

I just arrived in Western Australia to do some fun aerial photography with my friends Kane Engelbert and Scott McCook. I...
04/21/2026

I just arrived in Western Australia to do some fun aerial photography with my friends Kane Engelbert and Scott McCook. I have around 5k images from New Zealand I need to go through, but here's a quick sampling of the variety I was able to capture there. What a freakin' place! I think I'm in love!

Greetings from New Zealand, where I've just concluded an amazing workshop for Muench Workshops with my friend Neal Proth...
04/17/2026

Greetings from New Zealand, where I've just concluded an amazing workshop for Muench Workshops with my friend Neal Protheroe! We had some incredible conditions on this trip and I loved the diversity of landscapes here!

Mount Tasman (Te Horokōau), New Zealand's second-highest peak at 11,473 feet, rises above the glaciated ridgelines of the Southern Alps in Aoraki/Mount Cook National Park. To its right, the jagged serrated ridge of Silberhorn traces Tasman's southern approach, one of the finest ice climbing routes in the country. Shot at 720nm infrared, the snowfields go luminous while the rock faces deepen into near-black, giving the scene a structural clarity that visible light tends to obscure. The Southern Alps are still actively rising along the Alpine Fault; the ice is doing its best to keep up.

These are my favorite kind of photographs to find. Ambiguous scale, texture, abstract yet familiar. Just a simple find o...
04/10/2026

These are my favorite kind of photographs to find. Ambiguous scale, texture, abstract yet familiar. Just a simple find on a recent trip out to Outer Banks. Hope you like it =)

Here are four black and white infrared images I captured in Outer Banks recently while co-leading a workshop with my bud...
04/09/2026

Here are four black and white infrared images I captured in Outer Banks recently while co-leading a workshop with my buddy Richard Bernabe. Always fun to explore these areas in black and white infrared when I can!

Here's four more images I captured last month while co-leading a workshop in Death Valley with David Thompson for Muench...
04/08/2026

Here's four more images I captured last month while co-leading a workshop in Death Valley with David Thompson for Muench Workshops. Always a joy to revisit Death Valley! This year it was quite different with the super bloom which brought with it lots of caterpillars and bugs!

I really loved photographing these backlit grasses at sunset from Saratoga Springs in Death Valley last month. Backlight...
04/07/2026

I really loved photographing these backlit grasses at sunset from Saratoga Springs in Death Valley last month. Backlight is the best!

This is the kind of image that does really badly on social media, but would look awesome printed huge on the wall. The t...
04/06/2026

This is the kind of image that does really badly on social media, but would look awesome printed huge on the wall. The texture and color in this wave is really something worth checking out!

A couple of weeks ago, I co-led a workshop with my buddy Richard Bernabe out at Outer Banks. On our last morning, I was ...
04/05/2026

A couple of weeks ago, I co-led a workshop with my buddy Richard Bernabe out at Outer Banks. On our last morning, I was showing our clients how to use their telephoto lens to get scenes like this. I was really pumped to get this capture. I noticed the potential and just waited for the perfect time to release the shutter. Boom!

Recently I had the fortune of co-leading a Death Valley workshop for Muench Workshops with David Thompson, one of my fav...
04/04/2026

Recently I had the fortune of co-leading a Death Valley workshop for Muench Workshops with David Thompson, one of my favorite photographers. We had a blast showing our clients some really wild and interesting geologic abstract scenes, and we were treated with some flowers! The conditions were super nice out there!

We are heading back in 2027, so if you're interested in joining David and I, let us know! =)

232 pages. Years of hiking, climbing, and photographing Colorado's wildest places. And now it's a real, physical thing p...
03/28/2026

232 pages. Years of hiking, climbing, and photographing Colorado's wildest places. And now it's a real, physical thing people are holding in their hands.

The Colorado Way came together from my 2023 thru-hike of the Colorado Trail and my time on Colorado's 100 highest peaks. Writing the essays, sequencing the images, watching the layout evolve from a spreadsheet into something you can actually feel the weight of: that process is hard to put into words, but deeply satisfying in a way that posting a single image never quite is.

Seeing the first copies arrive and knowing they were headed out to people who care about these landscapes the same way I do: that's the part that makes the whole thing worth it.

I've included sample images from inside the book, below. Thank you to everyone who made this dream a reality!

Get your own copy today: https://www.mattpaynephotography.com/product/the-colorado-way/

The stockfish racks of Lofoten are one of those things that stop you cold, and not just because it's January in northern...
03/11/2026

The stockfish racks of Lofoten are one of those things that stop you cold, and not just because it's January in northern Norway.

Arctic cod has been dried on these wooden frames since at least the 12th century, making stockfish one of the oldest continuous food industries in the world. The process hasn't changed much: cod is caught during the winter spawning migration, split, tied in pairs, and hung on the racks from February through May. The cold dry Arctic air does the rest, pulling moisture out slowly over weeks until the fish has lost roughly 80% of its weight and gained years of shelf life. No salt, no refrigeration, no electricity. Just wind and time.

The trade routes that grew out of this practice helped shape medieval Europe. Lofoten stockfish fed Viking expeditions, supplied Catholic Europe during Lent for centuries, and became the economic backbone of Norwegian coastal communities long before oil was ever a factor. Most of it still goes to Italy, where it's been a culinary staple since Venetian traders first brought it back in the 1400s.

What struck me photographically is how the racks themselves are compelling subjects at every stage: empty and geometric against a grey Norwegian sky, fully loaded and almost overwhelming up close, or backlit at sunset into pure silhouette.

"Cathedral of Cod" is straight up from beneath the racks at peak load. "The Racks Wait" shows them empty, which carries its own kind of anticipation. "Built Over the Surge" puts the whole operation in context: these things are planted directly on the coastline, in the weather, by design.

A thousand years of the same solution to the same problem... and it still works.

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