04/06/2026
Using AI for compositing
Backgrounds were generated using the actual subject as the lighting reference, The background conformed to the subject, not the other way around. Adobe After Effects was used to bring back important details that were lost and to manually track some elements. AI helped with the smaller relighting details, especially around the hair strands, so the relighting was very minimal. Get it right on shoot and you’ll always have cleaner outputs. I used the new tool 'Cinefocus' in Davinci Resolve for the realistic lens blur effect that helped in adding more realism to the shot.
Tools: Nano Banana Pro, Beeble AI, Kling 3.0 Omni, Kling 3.0 4K, GPT Image 3, Adobe After Effects, Davinci Resolve
Director:
EP:
AP: Dianne Saez
DOP:
Camops: Allen Gulmatico, Emman Liwanag
Gaffer: Jefferson Estrera
AD: Ickay Eusebio
PD: Ghie Chan
PM: Kimberly Luna
PAs: Joona Sandiego, Sunday Carreon, Angerico Medel
Post Director:
Offline Editor:
AI Editor & Colorist: (.kolabs)
Online Editor:
Storyboard Visualizers: .tmbc
