P.M. Lydon

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An American ecological artist, Lydon's internationally-exhibited work incorporates image, writing, installations, and performative community engagements that inspire empathic relationships with nature in urban environments.

Preparing work for Semboku Art Now at .suemura with  and sensei  and friends. Will be at the gallery in Sakai, Japan on ...
22/05/2025

Preparing work for Semboku Art Now at .suemura with and sensei and friends.

Will be at the gallery in Sakai, Japan on May 27th. Show opens that day until June 1. Come by if you are around.

Maybe the most ambitious drawing yet in this series. The exact scene is not possible to photograph or see at once, so I ...
19/10/2024

Maybe the most ambitious drawing yet in this series. The exact scene is not possible to photograph or see at once, so I pulled together memories and photographs from Osaka and drew them into one scene. But that is not the ambitious part. For me, the ambitious part is drawing all those people, which I've always had a fear of. Buildings are easier than people, maybe because they don't have opinions, lol. Isn't it funny? How we have fears like that? Even if we study something for so long. There are times when we want to reflect something truthfully, but we are not sure we have the skill to do it as it deserves, so it becomes more difficult to put the pencil down. But we should do it anyway. It is important. Not just for an art, but for anything that asks to be voiced in this world. The practice of trusting and letting things come together. Knowing that it won't always work as you want it to work, and accepting that. This drawing in fact came out quite different from what I imagined, but I think it works in its own way.

At any rate, what am I talking about? Here is the drawing. This is for the weekly column, on urban Japan. The topic this week is how Japan's mega cities might seem big, but when you are inside them you realize that smallness and awareness are more important. That is a funny thing, too. Read it as usual, over at https://thepossiblecity.substack.com/

Hope everyone smiles this week.

Bear with me here, but I want to suggest that your neighborhood might benefit from having a few factories in it. But pro...
10/10/2024

Bear with me here, but I want to suggest that your neighborhood might benefit from having a few factories in it. But probably not the kind of factories you think...

From handmade goods to industrial production, Japan’s neighborhood factories offer more than just good jobs—they make neighborhoods more vibrant, creative, and play a crucial role in creating sustainable, socially connected communities.

This week's column and drawings celebrate neighborhood factories in our Osaka neighborhood, and suggest some reasons why they are beneficial.

As usual, you can read it freely here:
https://thepossiblecity.substack.com/p/urban-japan-the-benefits-of-neighborhood

We enjoy "free" street parking in much of the world. But this kind of parking is not exactly free, and in fact most Amer...
02/10/2024

We enjoy "free" street parking in much of the world. But this kind of parking is not exactly free, and in fact most Americans are in various ways, paying a lot for it without knowing.

In this week's column, I look at the real cost of street parking, and some solutions from urban Japan. Plus, an illustration based on our old neighborhood that I quite enjoyed drawing!

If you want to read the full story, as usual it is freely available and you can do it here:
https://thepossiblecity.substack.com/

Much love friends. Keep biking and walking as you can :-)

Fresh off the press this week. Why is urban Japan so good? Is it really so good, or is it just a fantasy? I begin a new ...
28/09/2024

Fresh off the press this week. Why is urban Japan so good? Is it really so good, or is it just a fantasy? I begin a new series this week, of drawings and narrative essays about a 'typical' urban neighborhood in Japan. This series will be based on the neighborhood in the drawing you see here.

Each week we will be diving into the alleys and homes and shops, the pubs, classrroms, and factories here, to see what makes it a good place to live, and also what issues exist. If you'd like to join that journey, the first installation is here: https://thepossiblecity.substack.com/p/urban-japan-why-is-it-so-good

As always, it's free for everyone to read and subscribe. You can also support it financially if you have the means. Much love to you all.

Listen, this week's illustration might be a weird one, and it might also be accompanied by a short writing about Japanes...
20/09/2024

Listen, this week's illustration might be a weird one, and it might also be accompanied by a short writing about Japanese ninja assassin flute players (true story) and beasts called Kirin that have beers named after them (also true story).

But maybe we need to accept a bit more of the weird and fantastical in this life?

Read the full story at the usual place:
https://thepossiblecity.substack.com

This week, I take a trip into the land of the famed Japanese artist Katsushika Hokusai, and his daughter, Oi. Perhaps mo...
11/09/2024

This week, I take a trip into the land of the famed Japanese artist Katsushika Hokusai, and his daughter, Oi. Perhaps most famous for his "Great Wave" print, I think Hokusai was also something of an ecological urbanist, and too, that his daughter took these ideas even further in her paintings. What can the old streets of current day Tokyo teach us about ecological cities? Quite a bit, actually. But it all starts with how these artists direct our view...

This was a fascinating piece to think about and write, and I feel it has so many more tendrils to explore. The full essay "Hokusai, Oi, and the Ecological Mega-City" is open access, and as usual, you can read it here:
https://thepossiblecity.substack.com/

This week, a handful of new sketches from scenes that linger in my memory — not because of their grandeur, but because o...
04/09/2024

This week, a handful of new sketches from scenes that linger in my memory — not because of their grandeur, but because of their simplicity. There are scenes here from Kokura (Kyushu), Takamatsu (Shikoku), and Amagasaki (Honshu) while moving around with my bro Sean this spring. I guess 'new' sketches is not accurate then. I did pencil sketches in Spring mostly while traveling, and just finished inking them this week. I know, the ones of Takamatsu are ridiculous, but we were living there for six months previously, and so strange things catch my eye. But I guess, strange things always seem to catch my eye. Anyway. Hope you enjoy these.

As usual, you can read the full text that goes with the images here:
https://thepossiblecity.substack.com/

I think this is probably the final essay from the Mojiko travel series with Suhee . The travel itself was a short few da...
28/08/2024

I think this is probably the final essay from the Mojiko travel series with Suhee . The travel itself was a short few days but turned into two months of writing. It ends on an emotional note, and also one of big questions.

An excerpt from the writing:

“In our short time here, we stepped momentarily into a different realm, breaching the wall between different ways of existing ... we talk about how the realms in which we dwell go far beyond that which can be calculated or understood rationally.”

A lot of us have these kinds of moments, where we feel that life is far deeper than what we can rationalize. It is also possible that such moments can become not just infrequent fleeting things, but can be more regular parts of life, if we want them to be. The option is always there.

If that floats your boat, have a read of the full essay:
https://thepossiblecity.substack.com

A new drawing and excerpt from this week's essay, where Suhee and I wander into an old liquor store and enter an alterna...
22/08/2024

A new drawing and excerpt from this week's essay, where Suhee and I wander into an old liquor store and enter an alternate reality. In this reality, there is a completely different a sense of how (and why) old becomes new.

"Transforming an old thing into a different, new thing is nice firstly because you take a piece of the past into the future, rather than discarding it. But at the same time, you are taking time to think and re-imagine that old thing anew. In this process, the old thing continues to be respected, useful, and relevant, even as its original utility comes to an end.

This ridiculously useful concept is found throughout Japanese culture in the everlasting quest not to be mottainai — wasteful — and it can be applied to far more things than just kimono fabric. Old tools. Old buildings. Old jobs. Old factories. Old methods of transportation. Old ways of thinking. Respect where they came from. Re-imagine them anew.

It’s a nice recipe for moving forward in this world."

As usual, you can read the full story (and sign up to get these stories and drawings sent for free to you) here:
https://thepossiblecity.substack.com

Thanks, friends.

A few new drawings this week. They are yet more from our short trip to Mojiko and Kokura, which feels like it was a real...
07/08/2024

A few new drawings this week. They are yet more from our short trip to Mojiko and Kokura, which feels like it was a really long time ago now. That short time produced so many reflections and drawings and thoughts for Suhee and me. In the essay that accompanies these particular drawings, I reflect on the tiny Japanese gardens called "tsuboniwa." For me, they are a feature that contains both beauty and utility on so many layers. I talk about just a few of those layers here.

Happy that over 500 of ya'll have signed up to get this series of writings. Thank you. As usual, you can read the full story and join the adventure here: https://thepossiblecity.substack.com

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