Tamara Quadrelli

Tamara Quadrelli The ordinary, looked at long enough. Poetics of the lived · A flâneuse with a camera
Awards · Exhibitions · Publications ↓

Tamara è una fotografa minimalista italiana specializzata in architettura. Il suo lavoro esplora la forma e la luce degli spazi urbani attraverso composizioni essenziali, toni pastello e geometrie ridotte all’essenza. Radicata nella flânerie, osserva l’architettura quotidiana con uno sguardo lento e contemplativo, trasformando dettagli spesso trascurati in narrazioni silenziose. Le sue immagini sf

umano il confine tra documento e percezione, rivelando atmosfere sospese dove forma, colore e spazio dialogano in modo poetico. Il suo lavoro ha ricevuto riconoscimenti internazionali, tra cui menzioni d’onore ai Minimalist Photography Awards e a Exposure Photo Gallery con la serie Silent Beauty.

WHISPERS OF SUMMER⁣⁣There’s an hour, toward evening, when alleys stop being streets and become memories.⁣⁣Shutters half-...
02/09/2026

WHISPERS OF SUMMER⁣

There’s an hour, toward evening, when alleys stop being streets and become memories.⁣

Shutters half-close like eyelids tired of the sun, fig tree shadows draw maps no one will ever read.⁣

I walk slowly, almost on tiptoe, so as not to wake the village.⁣

Here time doesn’t pass it settles, like golden dust on the stones.⁣

And at the end of the alley, behind a half-open door, there’s always something left to imagine.

SILENCE HAS THE SHAPE OF A STAR⁣⁣There’s a city built around an empty center, as if its heart beat somewhere else.⁣⁣Palm...
01/09/2026

SILENCE HAS THE SHAPE OF A STAR⁣

There’s a city built around an empty center, as if its heart beat somewhere else.⁣

Palm trees stretch their shadows across whitewashed walls, a winged lion marks the hours on a forgotten sundial, a lone flag waves against a sky too blue to be real. ⁣

The arcades walk in a circle, the statues gaze toward a horizon that never arrives, and in the middle small, almost accidental a man crosses the square the way one crosses a dream without knowing it.⁣

Here time doesn’t pass: it settles, like golden dust on candy-pink facades.⁣

Lux me regit, light guides me. And in this perfect geometry, drawn by hands long gone, all that’s left is to walk, slowly, and let yourself get lost in the beauty.⁣

Una bellissima sopresa, grazie per la menzione ✨❤️
31/08/2026

Una bellissima sopresa, grazie per la menzione ✨❤️

THRESHOLDS OF ELSEWHERE⁣⁣There are doors that don’t open onto a room, but onto a time. ⁣⁣The worn green of the Teatro, t...
31/08/2026

THRESHOLDS OF ELSEWHERE⁣

There are doors that don’t open onto a room, but onto a time. ⁣

The worn green of the Teatro, the jingling gold of a curtain that promises Lucca and promises nothing at all, the barber who writes “since 1958” like a prayer, the bright orange that defies the ochre wall beside it every threshold here is a small act of faith in a country that no longer rushes. ⁣

These are entrances to houses that might not exist, to shops that might have closed, to names — Antonietta, Villa F***y — suspended between whoever painted them and whoever will never read them again. ⁣

Not photographs of doors. Photographs of thresholds: that exact point where outside stops being street and inside isn’t yet home.

THE HOUR BEFORE THE BELL⁣⁣There’s a silence here that smells of chalk and childhood light, where footsteps haven’t arriv...
29/08/2026

THE HOUR BEFORE THE BELL⁣

There’s a silence here that smells of chalk and childhood light, where footsteps haven’t arrived yet. ⁣

The façade waits the way a memory waits: composed, golden, still. ⁣

The windows hold paper flowers and small dreams, the balcony carries flags that don’t yet know the wind. ⁣

Soon the courtyard will fill with voices but for now it stays suspended, entirely its own, in a light that is neither day nor night, but promise.

LADDER TOWARD A MUSTARD SKY⁣⁣There’s a ladder that leads nowhere, and that’s exactly why it leads everywhere. ⁣⁣It climb...
28/08/2026

LADDER TOWARD A MUSTARD SKY⁣

There’s a ladder that leads nowhere, and that’s exactly why it leads everywhere. ⁣

It climbs against a false sky, green like the memory of a distant spring, while the pink wall holds the warmth of afternoons that never return. ⁣

Its shadow walks ahead of it on the wall double step, double promise as if even the light wanted to climb.⁣

Not every way out has a door. Some are just rusted iron rungs, suspended between pink and the dust of time. ⁣

✨✨✨AMAZING NEWS ✨✨✨IPA 2026 Honorable Mention in Architecture/Abstract category for my project “SILENT BEAUTY”
27/08/2026

✨✨✨AMAZING NEWS ✨✨✨

IPA 2026 Honorable Mention in Architecture/Abstract category for my project “SILENT BEAUTY”

A SUMMER HELD STILL IN PLASTER⁣⁣The old rose of these volumes isn’t a color, it’s a memory of a sunset held inside the p...
27/08/2026

A SUMMER HELD STILL IN PLASTER⁣

The old rose of these volumes isn’t a color, it’s a memory of a sunset held inside the plaster, of a summer that refuses to end. ⁣

The lines meet like suspended thoughts, the cypresses stand watch unmoving, and the sky, vast and complicit, lets itself be crossed by whoever looks up without hurry.

THRESHOLDS OF LIGHT⁣⁣There’s an hour, every day, when houses stop being stone and become memory.⁣Doors turn into questio...
26/08/2026

THRESHOLDS OF LIGHT⁣

There’s an hour, every day, when houses stop being stone and become memory.⁣
Doors turn into questions. Windows, promises not yet kept.⁣

I walk through corridors inhabited by no one but the sun,and pause where shadow cuts the wall in two, a gentle border between who I was and who I’m about to become.⁣

Every threshold is a small act of courage.⁣
Every window, a flower waiting to be seen.⁣

📍 fragments of a suspended, golden, silent Italy⁣

When light meets matter⁣⁣Santuario Mariano di Monte Grisa, Trieste⁣arch. Antonio Guacci, 1963–1966
25/08/2026

When light meets matter⁣

Santuario Mariano di Monte Grisa, Trieste⁣
arch. Antonio Guacci, 1963–1966

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Marano Lagunare
33050

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