29/09/2026
The biggest mistake we make in the field is in how we observe the frame, not a setting in our camera.
And you can train your eyes to "see" like your lens.
When shooting in the city, stop searching merely for what to put inside your frame. Start looking at how your lens renders light and geometry.
🔵 Forget the zoom ring, instead, move yourself. Every focal length changes perspective dramatically. Ideally, stick to one specific focal length (mine is 50mm). Step closer or move back to alter the relationship between your subject and the background, not just its size.
⚫ Work the shadows. Deep contrast and harsh architectural shadows are your most powerful tools to naturally isolate a subject without relying on digital tricks or complex camera settings.
As I shared in my latest article, camera bodies record data, but your lens and compositional intent create the image.
📖 Read the full article via the link in the first comment.
📍 London Photography Workshop (October 27–29, 2026)
3 days strictly in the field across London, mastering light, geometry, and visual identity. Strictly limited to 5 participants.
📩 DM me "LONDON" for the full itinerary & details.
F4 | 1/400s | ISO 100
Lens: Tokina opera 50mm F1.4 (EF)
Camera: Canon EOS C50
Tokina Global HOYA Global SLIK Global Holdan