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David Renard

Informations de contact, plan et itinéraire, formulaire de contact, heures d'ouverture, services, évaluations, photos, vidéos et annonces de David Renard, Vidéaste évènementiel, Bordeaux.

27/10/2026

My go-to method for adding saturation in DaVinci Resolve.

Instead of using the standard Saturation slider, I prefer working in HSV to achieve richer, denser colors with a more cinematic feel.

Dedicated node, HSV color space, channels 1 and 3 disabled, then Gain adjustments to control saturation. I finish by reducing saturation in the highlights and refining color density for a more natural result.

After comparing both methods, HSV is definitely my favorite way to handle saturation.

Colorist Filmmaking

26/10/2026

How I Create a Cinematic Look.

From flat footage to a cinematic grade.

Here’s my PowerGrade workflow in DaVinci Resolve, building the look step by step through exposure, contrast, color, density and texture.

26/10/2026

My PowerGrade Workflow.

Building the look, one node at a time.

From exposure and contrast to color separation, density and texture. Every adjustment plays a role in shaping the final image.

Graded in DaVinci Resolve.

19/10/2026

SOMEWHERE WITH YOU 🎞️

Sometimes, it’s not about where you go, but who you’re with.

I wanted to capture a feeling rather than just a beautiful landscape. The silence, the little gestures, the connection between two people.

A cinematic short film shot at the Dune du Pilat, France.

Shot on Sony FX3.
Filmed & color graded by me in DaVinci Resolve.

Hope you enjoy this little piece of cinema.

16/10/2026

« And me? I still believe in paradise. »

15/10/2026

Life.

15/10/2026

Kendrick?

14/10/2026

My go-to method for shaping contrast in DaVinci Resolve.
A dedicated node in Luminosity mode, a pivot set to 0.336 in DaVinci Intermediate, and the Primaries Contrast control to build the base.
Then, Custom Curves and Editable Splines to fine-tune the shadows, highlights, and tonal transitions.
I prefer working on contrast and saturation separately, so I can give the image more depth while keeping color intensity under control.

10/10/2026

Whah if my footage looked like Blade Runner 2049?

Inspired by Roger Deakins’ iconic Las Vegas scenes, I recreated the orange color palette in DaVinci Resolve using contrast, color shaping and local adjustments.

From daylight in the mountains to a cinematic desert atmosphere. Watch the color grading before and after.

Does it capture the mood?

10/10/2026

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