Luna Asli Kolcu

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04/04/2026

I write stories about houses that remember, gardens that hunger, and brides who refuse to disappear.

If you want to know when new books drop — and occasionally receive a letter from the dark — my newsletter is the best way.

Subscribers got The Fifth Bride before anyone else. They'll get early access to The Archivist's Curse too.

Come for the free books. Stay for the atmosphere.

02/04/2026

The thing about writing gothic horror from a 17th-century farmhouse is: sometimes the house contributes.

Last week a door opened on its own. The one to the room where I write the darkest scenes. Victor didn't even look up from his painting. "It does that," he said.

Some houses just want to participate.

28/03/2026

What's the scariest plant you can think of?

Real or fictional. I collect these.

I'll start: the Manchineel tree. Standing under it in the rain will burn your skin. Eating its fruit can kill you. The Spanish called it the little apple of death.

Nature has always been writing horror. We just weren't paying attention.

Your turn.

25/03/2026

Why botanical horror?

Because the scariest things don't chase you. They grow. Slowly. Patiently. They put down roots in the walls of your house and in the marrow of your bones and by the time you notice, you're already part of the garden.

Parasitic orchids that dissolve their hosts. Strangler figs that hollow out trees from within. Cordyceps that hijack insect brains.

Nature has always been the best horror writer. I'm just taking notes.

If this is your kind of dark — my books are waiting for you.

24/03/2026

Behind the scenes: my partner Victor is a gothic artist. His work is in my books — literally.

The Return to Water illustrated edition exists because we live and work in the same stone farmhouse, and one day he started drawing the sea witch and I started writing around his lines.

Collaboration isn't always planned. Sometimes it grows in the walls.

22/03/2026

Describe your ideal gothic horror setting in three words or less.

Mine: crumbling. botanical. hungry.

Go.

21/03/2026

March in rural Spain: almond trees blooming white against grey stone walls. The courtyard smells like woodsmoke and rosemary. The cat has claimed the warmest chair and will not be moved.

This is where the dark stories come from. Bright mornings and old stone and the knowledge that every beautiful place has buried something beneath its foundations.

Happy spring. The light is returning. So are the things that hide from it.

20/03/2026

THE HOSPITALITY — my debut gothic novella.

A door that opens. A host who insists. Guests who cannot leave.

If you love slow-burn atmospheric dread where the setting itself is the antagonist — this is where it starts.

Available on Amazon and free in Kindle Unlimited. Going wide on April 21 — Audible, Apple Books, Kobo, Spotify, Google Play.

18/03/2026

5 gothic horror novels that shaped the way I write:

We Have Always Lived in the Castle — Shirley Jackson
Mexican Gothic — Silvia Moreno-Garcia
Rebecca — Daphne du Maurier
Her Body and Other Parties — Carmen Maria Machado
The Haunting of Hill House — Shirley Jackson

What would you add? What am I missing?

"The roses had begun blooming three days before Annabel Hargrove arrived at Aldermere Hall, which meant the garden had k...
14/03/2026

"The roses had begun blooming three days before Annabel Hargrove arrived at Aldermere Hall, which meant the garden had known she was coming before she did."

The opening line of THE FIFTH BRIDE. A free gothic romantuc fantasynovella. A haunted estate. Eleven portraits. One empty hook on the wall.

If you haven't grabbed it yet — it's free on Bookfunnel.

13/03/2026

Quick poll for the dark fiction readers:

Which trope do you NEVER get tired of?

A) Haunted house with a secret
B) Morally grey love interest
C) Protagonist who should absolutely leave but won't
D) The setting is actively trying to kill everyone

(I write all four. Frequently in the same book.)

12/03/2026

There's a particular quality to the light in old houses just before dusk. Not darkness exactly — more like the house remembering what it looked like before anyone lived in it.

I chase that feeling in every book I write. The moment the setting stops being a backdrop and starts being a character. The moment the walls start listening.

If that's your kind of fiction, you'll feel at home here.

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