Evgenii Salganik photography

Name: Evgenii Salganik photography
Address: Bremerhaven, DE
Telephone: +4746840378

Startseite
Deutschland
Bremerhaven
Evgenii Salganik photography

Architecture and portrait photographer from Bremen.

24/03/2026

model:

02/01/2026

Spring in Lofoten with .photo and

31/12/2025

Lofoten from the spring of 2023.

29/12/2025

Spring 2023 memories from Lofoten with a sweet cooking from London to snowy Tromsø

25/12/2025

Huis Sonneveld (1929-1933) by Brinkman & Van der Vlugt

Huis Sonneveld in Rotterdam is a prime example of Dutch Functionalist architecture (Nieuwe Bouwen). Its steel skeleton and concrete floors remove the need for load-bearing walls, allowing flexible room layouts with bands of windows along the façade. Nearly every room opens onto terraces or the garden. In the living and dining areas, sliding panels and curtains allowed spaces to span the full width or be divided for privacy.

The interior color scheme reflects room function: vermillion red in circulation areas, cornflower blue in bedrooms, and canary yellow in kitchens, combined with greys and browns. Fabrics from Metz & Co., some designed with Bart van der Leck, matched carpets, curtains, and upholstery. The architects used indirect light and large windows to create even illumination. Hallways and certain rooms feature linoleum flooring, chosen for its smooth, hygienic surface.

Bathrooms included a shower cabin, dual washbasins, and towel racks in the master, while the daughters’ bathroom used turquoise wall tiles from the Van Nelle factory. Doors are smooth and profile-free, and the staircase has black marble treads with rubber strips.

Furniture and fittings were integrated with the architecture. W.H. Gispen supplied chairs, tables, and lighting, while the Bruynzeel kitchen was designed for efficient workflow. The garden mirrors the house’s clean lines and was intended for outdoor use.

20/12/2025

Museum aan de Stroom (2006–2011) by Neutelings Riedijk Architects

Museum aan de Stroom (MAS; Dutch for Museum on the River) is a modern reinterpretation of 19th-century warehouses in Antwerp’s historic docklands. The 60-meter tower stacks rotated exhibition volumes, referencing the port’s storage activities. Inside, a glazed spiral promenade called the Boulevard wraps around the stacked spaces, offering changing views of Antwerp and the Scheldt River.

The façade is clad in red Indian sandstone patterned with 3,185 symbolic “hands.” These reference the local legend of the Antwerpse handjes, in which the giant Druon Antigoon was defeated by Silvius Brabo, who cut off the giant’s hand and threw it into the river — the origin of the city’s name, Antwerpen, often interpreted as hand werpen (“to throw a hand”). Large, curved glass panels between the sandstone volumes create a sense of fluidity and connect the building visually to the river.

Situated in the Eilandje district, the museum occupies the former site of the Hanseatic League’s regional headquarters, which was destroyed by fire in 1893 and later redeveloped.

Through its design and exhibitions, MAS explores Antwerp’s history and global connections, highlighting maritime trade, cultural exchange, migration, power, and belief.

14/12/2025

The Port House in Antwerp (2009–2016) by Zaha Hadid Architects

This building is a contemporary intervention within a historic setting. It transforms a former Hanseatic fire station (1912) into the headquarters of the Antwerp Port Authority. The design uses adaptive reuse and structural autonomy to respect the old building while adding a bold new element.

A new, independent superstructure sits above the existing masonry. It is supported by two concrete columns, minimizing contact with the historic fabric. The only connection between old and new is a shared elevator that links office spaces. This approach preserves the fire station’s integrity while making the addition clearly modern.

The elevated volume is an asymmetrical, faceted polyhedron. Its glass envelope evokes the hull of a ship, referencing the maritime context. The crystalline geometry also nods to Antwerp’s diamond trade. Instead of blending in, the new design embraces contrast. It highlights historical layers and asserts a forward-looking institutional identity. This project is one of the last major works completed by Zaha Hadid.

01/10/2025

The Barbican Estate by Chamberlin, Powell and Bon Architects (1963–1982)

The word “Barbecana” comes from Low Latin, meaning a fortified outpost, and the area takes its name from the nearby Roman wall. The site was heavily bombed by the Luftwaffe on 29 December 1940 during the Second World War.

In the post-war years, the district lost much of its residential population to commercial redevelopment, threatening the political status of the City of London. To counter this decline, a high-density housing scheme was proposed in 1955 by Peter Chamberlin, Geoffrey Powell, and Christoph Bon of the Kingston School of Art.

The estate was designed with a focus on public spaces and vertical gardens. Alongside housing, it included a concert hall, theatre, shopping mall, and landscaped lakes with fountains and a waterfall.

The facades are finished in pick-hammered concrete, giving them a textured, monumental character. One of Barbican's defining features is the two-level design: highwalks that link buildings above, and a podium level below containing communal spaces, services, and landscaping — separating pedestrian movement from cars and infrastructure. Its towers feature exo-skeletal piers, “saw-tooth” balconies, deep window reveals, and expressive rooflines. Their distinctive curved cantilevered balconies were inspired by ship design.

In 2001, the Barbican was granted Grade II listed status for its special architectural and historic interest.

10/02/2025

model: .didriksen

Adresse

Bremerhaven

Telefon

+4746840378

Webseite

https://www.instagram.com/evgeniisalganik/

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