Liv Mann-Tremblay Photographer

Liv Mann-Tremblay Photographer Freelance documentary and portrait photographer I am a documentary and portrait photographer based in Montreal, Quebec. to tell the stories of asylum seekers.

I grew up in the countryside of South West England and moved north to study Psychology at The University of Leeds. In London I began working in documentary research and then photographic publishing. I studied photography at Photo Fusion in Brixton under Paul Ellis and afterwards assisted a number of photographers including my mentor Laurence Dutton. Together we worked on projects for Getty Images

and other clients for three years. My photographic practice developed and I collaborated with refugee organisations in the U.K. I spent the next decade shooting abroad whilst running my photography studio in London. Collaborating with NGOs I created projects for Coaching For Hope, South Africa; WIZO, Israel; Sandblast, Algeria; Medical Action, Myanmar; and more recently in Canada, Clowns Without Borders and For Our Children Montréal. I incorporate ambient and interview sound recordings in some of my projects. I was cinematographer on the documentary feature film
Rire about a humanitarian clown changing the lives of children all over the world. The film’s director and filmmaker, Jean-Philippe Tremblay and I fell in love. To shoot the film we moved our lives to Montreal where we now have two young beautiful children who inspire us every day. We continue our photography and filmmaking projects in Quebec and abroad. My work is driven by research-led, self-initiated projects. I always try to reveal personal stories with compassion, authenticity, power, and poetry. My projects include Demo-crazy: images and audio recordings reflecting the political unrest and uncertainty in Myanmar; Devil’s Garden: a series of images that reflect on the external geographical landscape and the internal perspective of the Saharawi people in exile in Algeria; and Deuxième Salon: photo essays about individuals creating healthy communal organic grass roots lifestyles. I have shot campaigns for The Royal Opera House, Sadler’s Wells, Penguin Books, Great Ormond Street Children’s Hospital, Red Consultancy, Second Movement Opera, and designer Sindiso Khumalo. I have produced work for record labels including Reclaimed Goods and Inch Time Records. My work has been published in The Sunday Telegraph, The Times, Tatler, Sunday Mirror Magazine, Coven Magazine, ManOn Magazine, The London Paper and Journal Metro amongst others

Institute Imago, 2020, awarded me the 1st place prize in the International Portrait Photography Awards. I was short-listed for the Taylor Wessing National Portrait Prize in 2011 and 2015, and selected for the Portrait Salon in 2012. I balance independent projects with commissions from charities, NGOs, commercial clients and private individuals. I am co-founder and project director of studio de grand-pré collective. Website: www.livmanntremblay.com

01/19/2026
Some people have the ability to stay always uniquely themselves without masks or filters. This is how Martin Parr seemed...
12/08/2025

Some people have the ability to stay always uniquely themselves without masks or filters. This is how Martin Parr seemed to me and the images he made were the same. He seemed to look at the world in all its mad imperfection and made pictures that weren’t judging, just saying “look at it all, isn’t it all just weird and brilliant?”. I never met him, I wish I had, but when I heard that he had passed away I felt knocked. Without ever really thinking about it consciously he was someone who was a solid cornerstone of my photographic house. When I first saw his images I felt relieved and excited…I loved the unabashed, direct gaze (and colour of course) and I remember thinking ‘oh right, so photography can be this too. You can make it exactly what you want it to be…it’s your play dough to make and shape’. Thank you Martin.

As well as all the imagery he gave us, the view of Britain he reflected back to us which is invaluable, and so many other things he also created The Martin Parr foundation which supports emerging, established and overlooked photographers making work that focuses on Britain and Ireland. This, like the man himself, is a cornerstone to British and international photography.

https://martinparrfoundation.org/

Ben Smith’s podcast A Small Voice is the best photography podcast out there and so, if you want to hear great conversations with Martin have a listen to episodes 091 and 197.

Thank you to ND Awards and the jury members for the selection and award!! Congratulations to Anna Poroshina and Yueheng ...
11/25/2025

Thank you to ND Awards and the jury members for the selection and award!! Congratulations to Anna Poroshina and Yueheng Han.

The images selected are from my series “More Than You Could Ever Know”:

“Things were separated out into neat categories and it has taken millennia to work out that we live in a web of
intricately connected plants, fungi, conditions of weather, climate, terrain....that we are one thing”
Laura Beatty’s Looking for Theophrastus @

More Than You Could Ever Know is a response to humankind’s understanding of the reality of it’s destruction of the environment, and the growing awareness of the infinite complexity of the natural world that is developing along side it. As we try to catch up in our knowledge of the vastly interconnected nature of things, a reverence for nature is emerging. The realisation that we are not dominant or in charge or separate, but rather we as a species are just one thread in the tapestry. Each thread is equally vital for the overall image to make sense and to hold together. The rapid pace of modern life has also created a greater need to spend time in natural landscapes to reconnect with ourselves.

My work has always taken me far from home to record other peoples stories and as I get older my work has come closer and closer to home. Now in peri-menopause I am finding the greatest point of connection in creating abstract images that encourage us to feel our connection with nature and our connection with ourselves: our essential thread. The images in this work use a feminine presence and colour to express a visceral and emotional experience. In these images nature takes precedent, and body and soul merge with the landscape.

Making these images has meant living the connection the work intends to convey. Rising before dawn, wadding through ice cold water, and digging my toes deep into the forest floor; each has been nourishing, grounding and deeply rewarding.

I took a little break from social media over the summer and so I am a little behind the times in giving a shout out to t...
08/18/2025

I took a little break from social media over the summer and so I am a little behind the times in giving a shout out to the Lionesses on their incredible Euros win. Their achievement is hugely inspiring. It has been amazing watching the women’s game grow from strength to strength in England. It is hard to believe that the FA banned the women’s game from 1921-1971!!

and I were proud to have had our series of portraits of the Lionesses featured in the Big Issue special edition last month as part of a new campaign with .uk\ballers Our Lioness portraits available as part of an exclusive collection 20% going to

I’m delighted to have work from More Than You Could Ever Know featured by Royal Photographic Society’s In Our Hands: Sto...
07/04/2025

I’m delighted to have work from More Than You Could Ever Know featured by Royal Photographic Society’s In Our Hands: Stories of the Environment project along side the brilliant work of Cristina Paveri, Caroline Fraser and . This is a photography competition by RPS Women in Photography which invited photographers to explore the complex relationship between people and the planet—capturing visual stories that reflect both environmental fragility and resilience.

« These images highlight the beauty of the natural world and the consequences of human action—reminding us that the future of our environment is, quite literally, in our hands » RPS

More Than You Could Ever Know is a project which expresses a visceral and emotional experience of connection to nature and to self. It reminds us that to stop environmental destruction we must first understand that humans are one part of a whole organic system. “Things were separated out into neat categories and it has taken millennia to work out that we live in a web of intricately connected plants, fungi, conditions of weather, climate, terrain....that we are one thing” Laura Beatty ‘Looking for Theophrastus’ In these images nature takes precedent and body and soul merge with the landscape.

It is lovely to be exhibiting in the Canadian Association of Professional Image Creators’ (CAPIC) National Fine Art Phot...
06/12/2025

It is lovely to be exhibiting in the Canadian Association of Professional Image Creators’ (CAPIC) National Fine Art Photography Exhibition XPOSÉ Curated by Bob Carnie.

This juried exhibition features exceptional works by Canadian photographers pushing the medium to new artistic and conceptual heights

XPOSÉ 2025 runs from June 4–29 at the Papermill Gallery, Todmorden Mills Heritage Site — with an opening night celebration on Wednesday, June 11 from 6–9:30 PM. It is free and open to the public.

CAPIC invites us to witness the stories that shape us, challenge us, and expand our view of the world

Do other people’s project’s do this? Get shaped and reshaped over time…  mine seem to be fluid creatures. I have taken F...
05/23/2025

Do other people’s project’s do this? Get shaped and reshaped over time… mine seem to be fluid creatures. I have taken Flashes of Light back to the potter’s wheel for some remoulding recently.

It is a project about motherhood, my relationship to my kids and our relationship with nature...as they are always growing and changing, perhaps it is right that the work does too…

Here are a couple of snap shots from it. The rest are on my site under projects: https://livmanntremblay.com/

A singular fleck of light, like the first star in the evening sky. Your heart beating life bright against the dark of the doctor’s monitor- the purest joy I have ever known.



The two of you; two bright, whirling, twirling stars blazing through my life, lighting up corners I had never thought to explore; slowing me down to look closer at dandelions and under rocks. You taught me what living is. When time floats away and we are simply here together in the long grass until dew rises from the earth and barefoot we return and return. Deeply embodied, rooted in the earth, as free as the birds above; we fly

All through the end of autumn, the long winter, and into spring I had been looking up at the tree outside my house… wait...
05/01/2025

All through the end of autumn, the long winter, and into spring I had been looking up at the tree outside my house… waiting. I thought of the tree in its sleep state and the bulbs of tulip and narcissi I had nestled under the earth between its roots. The thought of them helped pull me through the snow drifting, ice biting days. Finally spring came and slowly, slowly those brown branches were filled with green as her leaves unfurled. For a moment I had looked in wonder at it. Just a moment.

Then almost instantly forgot!

Why do we so quickly stop noticing the beauty almost as soon as we have it, sweeping away as if it was nothing. Profoundly feeling the loss once it has gone

Reminding myself to keep awake and keep enjoying the good stuff. Each beautiful thing, however tiny

All through the end of autumn, the long winter, and into spring I had been looking up at the tree outside my house… wait...
05/01/2025

All through the end of autumn, the long winter, and into spring I had been looking up at the tree outside my house… waiting. I thought of the tree in its sleep state and the bulbs of tulip and narcissi I had nestled under the earth between its roots. The thought of them helped pull me through the snow drifting, ice biting days. Finally spring came and slowly, slowly those brown branches were filled with green as her leaves unfurled. For a moment I had looked in wonder at it. Just a moment.

Then almost instantly forgot!

Why do we so quickly stop noticing the beauty almost as soon as we have it, sweeping away as if it was nothing. Profoundly feeling the loss once it has gone

Reminding myself to keep awake and keep enjoying the good stuff. Each beautiful thing, however tiny

Dad’s tulips dancing in the dark (lit by the outdoor light I forgot to turn off!).
04/29/2025

Dad’s tulips dancing in the dark (lit by the outdoor light I forgot to turn off!).

04/29/2025

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Montreal, QC

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