Anand Mohapatra

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Anand Mohapatra Photography / Visual Arts I put my 100% into my work and if strive to keep getting better and better at what i do best.

I shoot Travel ,Commercial,Fashion,People and Portraits and Edm &Music photography
phone no-9881683511,9717243904
[email protected]

© Anand Mohapatra Photography - All rights reserved. The images are subject to the copyright and other property rights. These materials may not be reproduced, distributed, modified or reposted to other websites, forums, social networking sites or in the form of print without my consent. Legal action shall be taken against anyone who violates the copyright laws, be it for a commercial or non commercial purpose

The leading lines just vanishing into infinity There is something about the Vancouver Convention Centre that always insp...
10/28/2026

The leading lines just vanishing into infinity

There is something about the Vancouver Convention Centre that always inspires me and makes me pause to mesmerise this beautiful architecture marvel.

Every beam in this ceiling runs the same direction, straight out toward the harbour.

The ceiling is Douglas-fir glulam beams, hung about a so perfectly apart, hiding everything mechanical above them so all you read is the grain and the gaps.

This is Vancouver Convention Centre West, designed by LMN Architects (LMN Architects ) with DA Architects + Planners (DA Architects + Planners) and MCM Architects (MCM Partnership ), opened in 2009.

Calcolo Multi Light Chandelier by Lib&Co. Shot for 𝗔 𝗠 𝗔 𝗡  |  𝗞 𝗛 𝗨 𝗥 𝗔 𝗡 𝗔 --
10/23/2026

Calcolo Multi Light Chandelier by Lib&Co.
Shot for 𝗔 𝗠 𝗔 𝗡 | 𝗞 𝗛 𝗨 𝗥 𝗔 𝗡 𝗔
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Stone that forgot it was supposed to stand still.apple Store Orchard Road, Singapore, Foster + Partners’ Foster + Partne...
10/20/2026

Stone that forgot it was supposed to stand still.

apple Store Orchard Road, Singapore,

Foster + Partners’ Foster + Partners first flagship for the brand in the country, opened in 2017. Two staircases rise through the store in Italian Castagna stone, each block cut up to 1.6 by 1.2 metres and weighing close to a tonne. No railing was bolted onto the wall afterward, it’s carved from the same stone, so the wall and the handrail breathe as one surface.

I waited for the light to rake in low and pool at the base before I lifted the camera. I didn’t expect the stone to stop looking structural and start looking poured, like it was still moving when it set.

Different material, same instinct every architect eventually reaches for: give stone a reason to curve.

The two halves of this tower are different heights on purpose.This is The Butterfly Vancouver, at 969 Burrard Street whe...
10/16/2026

The two halves of this tower are different heights on purpose.

This is The Butterfly Vancouver, at 969 Burrard Street where Burrard meets Nelson in the West End. Two towers of uneven height wrapped in hand-finished concrete fins that curve like feathers, opening into the notch at the top that gives the building its name.

Design by Revery Architecture (Revery Architecture Inc. ), led by Venelin Kokalov, one of the last projects Bing Thom shaped before he passed, carried through by the studio he built. Developed by Westbank .

It’s 57 storeys, 331 units, and there isn’t a flat wall on the exterior. Every fin sits at a slightly different angle, so the light reads differently through the day: amber at dusk, blue-black against a clear noon sky.

I shot this at golden hour because that’s when the fins stop reading as one flat ribbed wall and start separating from each other. In order: the cover angle, the two halves split by open sky, the notch where they meet, and the ribs up close.

Save this if you’re collecting Vancouver’s best concrete facades.

A precise curve beneath a restless sky.Lines gather into form. Clouds unravel it.A rhythm of intersecting lines holds it...
10/14/2026

A precise curve beneath a restless sky.
Lines gather into form. Clouds unravel it.
A rhythm of intersecting lines holds its curve beneath clouds that refuse to repeat. Geometry below, movement above and a conversation between structure and sky.
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A building that does not need to move to make rhythm.---
10/10/2026

A building that does not need to move to make rhythm.
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I’ve always been drawn to the night sky.It’s where I learned to see. The lines of constellations became the blueprints i...
10/08/2026

I’ve always been drawn to the night sky.

It’s where I learned to see. The lines of constellations became the blueprints in my mind, and the contrast of darkness and light became the framework for my eyes.

The blueprint was developed as I was just looking up, mesmerized by the shapes. For me, stars aren’t just points of light—they’re a masterclass in symmetry, lines, and patterns. Every time I frame a shot or sketch a design,
My soul chasing that same quiet balance the universe has perfected. 🌌📐✨
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Cardero — rhythm, repetition, and light at the edge of downtown Vancouver.The tower’s angled V-shaped screens create a s...
10/04/2026

Cardero — rhythm, repetition, and light at the edge of downtown Vancouver.
The tower’s angled V-shaped screens create a shifting pattern of light, shadow.

Designed by Henriquez Partners Architects Henriquez Partners Architects and developed by Bosa Properties Bosa Properties Inc.
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Curves where you’d expect corners.A residential tower in Coal Harbour — balconies carved into a curve instead of a grid,...
10/01/2026

Curves where you’d expect corners.

A residential tower in Coal Harbour — balconies carved into a curve instead of a grid, so it reads less like a stack of floors and more like something caught mid-motion. The reflecting water blurs the line
between the building and its own echo.

Bayshore Drive · Coal Harbour, Vancouver
Designed by Henriquez Partners Architects
Shot at golden hour to let the glazing catch the light without losing the
reflection below.


Reflections of History..The Dominion Building, Vancouver — motion passing through a century-old landmark.Completed in 19...
09/24/2026

Reflections of History..

The Dominion Building, Vancouver — motion passing through a century-old landmark.

Completed in 1910 at 207 West Hastings Street, the Dominion was designed by architect J. S. Helyer as a steel-framed, 13-storey commercial tower. At the time, it was Vancouver’s first steel-framed high-rise and, briefly, the tallest commercial building in the British Empire.

Its narrow, flatiron-like footprint, warm terracotta façade, classical Beaux-Arts detailing, and curved Second Empire mansard roof give it a presence that still feels wonderfully theatrical against the surrounding city. In this long exposure, traffic becomes a ribbon of movement—while the building remains a fixed witness to Vancouver’s changing streetscape.


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